{"id":60740,"date":"2007-03-10T00:00:00","date_gmt":"2007-03-10T00:00:00","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/una-revision-de-la-deconstruccion-postmoderna-en-arquitectura\/"},"modified":"2007-03-10T00:00:00","modified_gmt":"2007-03-10T00:00:00","slug":"una-revision-de-la-deconstruccion-postmoderna-en-arquitectura","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/arquitectura\/una-revision-de-la-deconstruccion-postmoderna-en-arquitectura\/","title":{"rendered":"Una revisi\u00f3n de \u00abla deconstrucci\u00f3n postmoderna\u00bb en arquitectura"},"content":{"rendered":"<h2>Tesis doctoral de <strong> Rafael Garc\u00eda S\u00e1nchez <\/strong><\/h2>\n<p>En el verano de 88, el moma de nueva york inaugur\u00f3 la exposici\u00f3n de arquitectura en la que se mostraban obras que revelaban la deconstrucci\u00f3n de la forma arquitect\u00f3nica. La arquitectura que comparece en esta exposici\u00f3n manifiesta el agotamiento de la arquitectura tradicional: desde la moderna funcionalista hasta la postmoderna y nost\u00e1lgica. Sin embargo, dicho \u00abagotamiento\u00bb no es solamente el formal sino que, con mucha frecuencia, en la literatura arquitect\u00f3nica no es m\u00e1s que el trasunto del agotamiento ideol\u00f3gico en otras \u00e1reas del saber. el fen\u00f3meno deconstructivista parece ser un \u00abmomento reflejo\u00bb, una suerte de deslizamiento del ocaso de las ideolog\u00edas a la arquitectura. Por tanto, puede sostenerse que \u00abla deconstrucci\u00f3n arquitect\u00f3nica\u00bb no hubiera sido posible, sin el decurso natural de la postmodernidad como cr\u00edtica a la modernidad. Lo que sucede es que la teor\u00eda deconstructivista, que en su genealog\u00eda es postmoderna, acaba por deslegitimar incluso a la propia postmodernidad. De manera, que si la funci\u00f3n y \u00abel esp\u00edritu de los tiempos\u00bb ten\u00edan el car\u00e1cter de fundante en la modernidad arquitect\u00f3nica y la recuperaci\u00f3n de la memoria y el significado \u00abplur\u00edvoco y polif\u00f3nico\u00bb lo eran para la postmodernidad, la deconstrucci\u00f3n destituye e inhabilita en cierto modo a ambas a la vez. Cualquier categor\u00eda fundante sobre la que se pueda sostener fiablemente una estructura del saber es tildada de intencionada, contaminante, prejuiciosa. Junto a esta situaci\u00f3n de cr\u00edtica y desembalaje de los criterios tradicionales de racionalidad, se advierte en clara sinton\u00eda con el mundo literario, la imposibilidad de alcanzar un significante que refiera un\u00edvocamente y en estado puro a un significado. No hay posibilidad de dar con el significante perfecto. Siempre remite a otro y despu\u00e9s a otro, en un proceso sin fin que nos hace dudar de la posibilidad de dar con el significado verdadero de las cosas y a la postre con lo que las cosas son.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Una revisi\u00f3n de \u00abla deconstrucci\u00f3n postmoderna\u00bb en arquitectura<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Una revisi\u00f3n de \u00abla deconstrucci\u00f3n postmoderna\u00bb en arquitectura <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Rafael Garc\u00eda S\u00e1nchez <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Polit\u00e9cnica de Valencia<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 03\/10\/2007<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li> Noguera Gim\u00e9nez Juan  Francisco<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: joaqu\u00edn Arnau amo <\/li>\n<li>Jos\u00e9 Mar\u00eda Montaner martorell (vocal)<\/li>\n<li>Francisco Jarauta marion (vocal)<\/li>\n<li>vicente Mas llorens (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Rafael Garc\u00eda S\u00e1nchez En el verano de 88, el moma de nueva york inaugur\u00f3 la exposici\u00f3n de [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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