{"id":60945,"date":"2018-03-09T22:48:47","date_gmt":"2018-03-09T22:48:47","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/arte-y-arquitectura-religiosa-en-el-valle-de-liebana-durante-la-edad-moderna\/"},"modified":"2018-03-09T22:48:47","modified_gmt":"2018-03-09T22:48:47","slug":"arte-y-arquitectura-religiosa-en-el-valle-de-liebana-durante-la-edad-moderna","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/historias-especializadas\/arte-y-arquitectura-religiosa-en-el-valle-de-liebana-durante-la-edad-moderna\/","title":{"rendered":"Arte y arquitectura religiosa en el valle de liebana durante la edad moderna"},"content":{"rendered":"<h2>Tesis doctoral de <strong>  Mazarrasa Mowinckel Karen Else Mar\u00eda <\/strong><\/h2>\n<p>Este trabajo forma parte de un proyecto que est\u00e1 llevando a cabo la secci\u00f3n de historia del arte del departamento de historia moderna y contempor\u00e1nea de la universidad de cantabria, que consiste en realizar la catalogaci\u00f3n completa del patrimonio de la comunidad aut\u00f3noma. La comarca de li\u00e9bano (cantabria, norte de espa\u00f1a) carec\u00eda de un estudio del arte y arquitectura religiosa en la edad moderna. Tras llevar a cabo una revisi\u00f3n hist\u00f3rica y art\u00edstica de los tiempos medievales, hemos realzado un cat\u00e1logo de todas las manifestaciones art\u00edsticas religiosas de los siglos xvi, xviii y xviii. Hemos levantado 120 planos de las iglesias y ermitas construidas en la edad moderna y realizado 2000 fotograf\u00edas de los edificios y obra mueble contenida en ellos. Hemos acudido a diferentes archivos nacionales, regionales y locales. Asimismo hemos revisado diversas fuentes hist\u00f3rico art\u00edsticas y analizado toda la bibliograf\u00eda pertinente. Tras esta labor de documentaci\u00f3n hemos analizado las iglesias parroquiales y ermitas organiz\u00e1ndolas seg\u00fan diferentes tipolog\u00edas y completado el estudio del m\u00e1ximo exponente de la arquitectura barroca en la comarca, la capilla del lignum crucis situada en el monasterio de santo toribio. Hemos avanzado en el conocimiento de la fundaci\u00f3n del convento dominico de san arimundo en potes. Nuestro trabajo ha aportado un completo cat\u00e1logo dela obra mueble y pintura mural conservada en la comarca, aportando el conocimiento de una serie de talleres y fechando una de las piezas m\u00e1s importantes de la comarca, la virgen de mogrovejo, poni\u00e9ndola en relaci\u00f3n con talleres brabanzones. Asimismo hemos documentado m\u00e1s de 100 art\u00edfices trabajando en la comarca en estos siglos. Hemos puesto en valor un patrimonio en la mayor parte delos casos, salvo excepciones, rural y popular desconocido hasta el momento.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Arte y arquitectura religiosa en el valle de liebana durante la edad moderna<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Arte y arquitectura religiosa en el valle de liebana durante la edad moderna <\/li>\n<li><strong>Autor:<\/strong>\u00a0  Mazarrasa Mowinckel Karen Else Mar\u00eda <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Cantabria<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 19\/10\/2007<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Julio Juan Polo S\u00e1nchez<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: Cristina Gutierrez-cortines Corral <\/li>\n<li>Eloy G\u00f3mez Pell\u00f3n (vocal)<\/li>\n<li> Calaf Masachs Mar\u00eda  Del Roser (vocal)<\/li>\n<li>Margarita Serna Vallejo (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Mazarrasa Mowinckel Karen Else Mar\u00eda Este trabajo forma parte de un proyecto que est\u00e1 llevando a cabo [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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