{"id":61117,"date":"2018-03-09T22:48:58","date_gmt":"2018-03-09T22:48:58","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/la-obra-religiosa-de-gerardo-diego-verso-y-prosa\/"},"modified":"2018-03-09T22:48:58","modified_gmt":"2018-03-09T22:48:58","slug":"la-obra-religiosa-de-gerardo-diego-verso-y-prosa","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/la-obra-religiosa-de-gerardo-diego-verso-y-prosa\/","title":{"rendered":"La obra religiosa de gerardo diego (verso y prosa)"},"content":{"rendered":"<h2>Tesis doctoral de <strong> Teodoro Rubio Mart\u00edn <\/strong><\/h2>\n<p>La tesis tiene tres partes. La primera, \u00abgerardo diego y la religi\u00f3n\u00bb consta de dos cap\u00edtulos. El primero, \u00abel contexto familiar, vital y po\u00e9tico de gerardo diego\u00bb, es una especie de biograf\u00eda de este poeta de la generaci\u00f3n del 27, de su vivencia, su pr\u00e1ctica, sus inquietudes religiosas y sus influencias familiares. Se trata de situar al poeta en su entorno religioso. Tras un breve comentario acerca de la vida familiar y la religiosidad de aquella \u00e9poca e espa\u00f1a, se perfila la trayectoria de nuestro autor, presentando las diferentes manifestaciones de su espiritualidad y de su vivencia religiosa. El segundo cap\u00edtulo aborda la cr\u00edtica de su poes\u00eda religiosa.  la segunda parte, \u00abla obra religiosa po\u00e9tica de gerardo diego\u00bb, es un an\u00e1lisis de los cuatro libros de contenido esencialmente religioso (viacrucis, \u00e1ngeles de compostela, el cerezo y la palmera, y versos divinos) y de poemas de esta tem\u00e1tica que est\u00e1n insertos en libros profanos, resaltando los aspectos teol\u00f3gicos y literarios que en ellos aparecen. En la tercera parte, \u00abobra en prosa\u00bb, se procede al an\u00e1lisis de los art\u00edculos seg\u00fan los motivos teol\u00f3gicos o lit\u00fargicos, de tem\u00e1tica religiosa escritos por gerardo diego. Finalmente en el \u00abanexo documental\u00bb incluyo documentaci\u00f3n y material utilizado.  en la tesis, se concluye afirmando que: 1) obra y biograf\u00eda est\u00e1n unidas \u00edntimamente. La religiosidad de gerardo diego se produce sobre todo por un convencimiento personal, despu\u00e9s de una profunda reflexi\u00f3n. 2) en su obra aparece un impulso ascensional. 3) para diego la inspiraci\u00f3n es un don recibido. 4) su poes\u00eda est\u00e1 dentro de la ortodoxia cat\u00f3lica, con un eje cristoc\u00e9ntrico. 5) el poeta combina tradici\u00f3n y modernidad. 6) el \u00abyo\u00bb po\u00e9tico de gerardo diego generalmente es un \u00abyo\u00bb biogr\u00e1fico en que afloran las experiencias evocadas de la ni\u00f1ez. 7) el tiempo es uno de los temas fundamentales en la obra de gerardo diego, vivido sin frustraci\u00f3n. 8) tambi\u00e9n el espacio es important<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>La obra religiosa de gerardo diego (verso y prosa)<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 La obra religiosa de gerardo diego (verso y prosa) <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Teodoro Rubio Mart\u00edn <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Complutense de Madrid<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 29\/10\/2007<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Jos\u00e9 Cipriano Paulino Ayuso<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal:  Trebolles Barrera Julio C\u00e9sar <\/li>\n<li>Antonio Piedra Borreg\u00f3n (vocal)<\/li>\n<li>Francisco Javier Diez De Revenga Torres (vocal)<\/li>\n<li> Benito De Lucas Joaqu\u00edn (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Teodoro Rubio Mart\u00edn La tesis tiene tres partes. La primera, \u00abgerardo diego y la religi\u00f3n\u00bb consta de [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[1],"tags":[60816,6870,8638,6371,135016,135017],"class_list":["post-61117","post","type-post","status-publish","format-standard","hentry","category-sin-categoria","tag-antonio-piedra-borregon","tag-benito-de-lucas-joaquin","tag-francisco-javier-diez-de-revenga-torres","tag-jose-cipriano-paulino-ayuso","tag-teodoro-rubio-martin","tag-trebolles-barrera-julio-cesar"],"_links":{"self":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/61117","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/comments?post=61117"}],"version-history":[{"count":0,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/61117\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/media?parent=61117"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/categories?post=61117"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/tags?post=61117"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}