{"id":6134,"date":"1995-01-01T00:00:00","date_gmt":"1995-01-01T00:00:00","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/1995\/01\/01\/creacion-recepcion-y-discurso-en-los-cuentos-de-pio-baroja\/"},"modified":"1995-01-01T00:00:00","modified_gmt":"1995-01-01T00:00:00","slug":"creacion-recepcion-y-discurso-en-los-cuentos-de-pio-baroja","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/ciencias-de-las-artes-y-las-letras\/creacion-recepcion-y-discurso-en-los-cuentos-de-pio-baroja\/","title":{"rendered":"Creacion, recepcion y discurso en los cuentos de pio baroja."},"content":{"rendered":"<h2>Tesis doctoral de <strong>  Garcia De Juan  Miguel Angel <\/strong><\/h2>\n<p>La produccion cuentistica de pio baroja, que puede darse por concluida en 1902, representa en la historia del cuento en nuestro pais el nacimiento de un nuevo tipo de relato breve, al comprender unas peculiaridades que lo diferencian del cuento literario espa\u00f1ol decimononico o moderno. En muy poco coinciden, en efecto, las narraciones breves del escritor vasco con las de pardo bazan y \u00abclarin\u00bb, autores por los que, a diferencia de poe, dickens, turguenev o dostoyevski, no sintio ningun interes.  pero la inspiracion para sus creaciones breves (y para toda su obra) le vino a baroja, mas que de la lectura de obras anteriores, del mundo que vivio y le rodeo hasta sus treinta a\u00f1os, si bien traslado a ellas, ademas, su forma de ser y de pensar, coincidente e influida la segunda en especial por schopenhauer.  pasando a un enfoque interno de estos cuentos, a los que la critica no ha concedido hasta ahora una espaciosa monografia, cuatro son los principales rasgos que los caracterizan: sencillez, variedad, libertad de imaginacion para el lector y, sobre todo, un profundo lirismo.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Creacion, recepcion y discurso en los cuentos de pio baroja.<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Creacion, recepcion y discurso en los cuentos de pio baroja. <\/li>\n<li><strong>Autor:<\/strong>\u00a0  Garcia De Juan  Miguel Angel <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Complutense de Madrid<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 01\/01\/1995<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li> Cruz Garcia Sabina De La<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: Pilar Palomo Vazquez <\/li>\n<li>Antonio Lorente Medina (vocal)<\/li>\n<li> Lasagabaster Madinabettia Jes\u00fas M. (vocal)<\/li>\n<li>Jos\u00e9 Cipriano Paulino Ayuso (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Garcia De Juan Miguel Angel La produccion cuentistica de pio baroja, que puede darse por concluida en [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[148,147,628],"tags":[18223,6824,23317,6371,23318,5583],"class_list":["post-6134","post","type-post","status-publish","format-standard","hentry","category-analisis-literario","category-ciencias-de-las-artes-y-las-letras","category-teoria-analisis-y-critica-literarios","tag-antonio-lorente-medina","tag-cruz-garcia-sabina-de-la","tag-garcia-de-juan-miguel-angel","tag-jose-cipriano-paulino-ayuso","tag-lasagabaster-madinabettia-jesus-m","tag-pilar-palomo-vazquez"],"_links":{"self":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/6134","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/comments?post=6134"}],"version-history":[{"count":0,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/6134\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/media?parent=6134"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/categories?post=6134"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/tags?post=6134"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}