{"id":61446,"date":"2018-03-09T22:49:18","date_gmt":"2018-03-09T22:49:18","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/orfeo-y-el-orfismo-en-las-dionisiacas-de-nomo\/"},"modified":"2018-03-09T22:49:18","modified_gmt":"2018-03-09T22:49:18","slug":"orfeo-y-el-orfismo-en-las-dionisiacas-de-nomo","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/orfeo-y-el-orfismo-en-las-dionisiacas-de-nomo\/","title":{"rendered":"Orfeo y el orfismo en las dionisiacas de nomo"},"content":{"rendered":"<h2>Tesis doctoral de <strong> Rosa Garcia-gasco Villarrubia <\/strong><\/h2>\n<p>La tesis aborda la presencia y el valor de los elementos \u00f3rficos en la epopeya dionis\u00edacas del poeta del siglo v d.C. Nono de pan\u00f3polis. Se trata en primer lugar del empleo del mito de orfeo y de una tipolog\u00eda m\u00edtica similar en el poema, que evidencia el conocimiento por parte de nono de la tradici\u00f3n que hace a orfeo hijo de eagro y cai\u00edope, fundador de una religiosidad mist\u00e9rica espec\u00edfica y, sobre todo, cantor y m\u00fasico prodigioso, cuya habilidad linda con la magia en m\u00faltiples testimonios y que nono transfiere a otros personajes. Despu\u00e9s, se abordan las huellas de teogonias \u00f3rficas en las dionis\u00edacas: el punto de partida es la consideraci\u00f3n de los tres personajes llamados dionisos que intervienen en el poema y del papel de cada uno, para tratar de dilucidar la relaci\u00f3n entre ellos. La cuesti\u00f3n ilustra de forma representativa el esquema de relaciones e influjos mutuos entre el dionisismo, el orfismo y algunos de los aspectos m\u00e1s llamativos de la filosof\u00eda neoplat\u00f3nica. Al igual que las tres corrientes poseen rasgos an\u00e1logos entre s\u00ed, cada uno de los tres dionisos asume caracter\u00edsticas que lo acercan a los otros dos. Nono conoce los relatos \u00f3rficos, pero para \u00e9l la muerte del primer dioniso carece de implicaciones antropol\u00f3gicas o soteriol\u00f3gicas. El poema no permite descartar del todo la pervivencia f\u00ed\u00a0ctica de rituales o creencias \u00f3rficas, pero tampoco afirmarla con seguridad. Finalmente, se aborda el estudio de la magia en las dionis\u00edacas y de su relaci\u00f3n con el orfismo: interesa la semejanza de los rituales descritos con los de las religiones mist\u00e9ricas en general y la \u00f3rfica en concreto, pero tambi\u00e9n el aprovechamiento de los rasgos m\u00e1gicos del mito de orfeo, aplicados a otros personajes que nada tienen que ver con \u00e9l.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Orfeo y el orfismo en las dionisiacas de nomo<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Orfeo y el orfismo en las dionisiacas de nomo <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Rosa Garcia-gasco Villarrubia <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Complutense de Madrid<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 21\/11\/2007<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Alberto Bernabe Pajares<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: mercedes Lopez salva <\/li>\n<li>francesc Casades\u00fas  bordoy (vocal)<\/li>\n<li>gabriella Ricciardelli (vocal)<\/li>\n<li>Jos\u00e9 guillermo Montes cala (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Rosa Garcia-gasco Villarrubia La tesis aborda la presencia y el valor de los elementos \u00f3rficos en la [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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