{"id":6182,"date":"1995-01-01T00:00:00","date_gmt":"1995-01-01T00:00:00","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/1995\/01\/01\/retablos-barrocos-en-el-arcedianato-de-segovia\/"},"modified":"1995-01-01T00:00:00","modified_gmt":"1995-01-01T00:00:00","slug":"retablos-barrocos-en-el-arcedianato-de-segovia","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/historia\/retablos-barrocos-en-el-arcedianato-de-segovia\/","title":{"rendered":"Retablos barrocos en el arcedianato de segovia."},"content":{"rendered":"<h2>Tesis doctoral de <strong> Mar\u00eda  Teresa Gonzalez Alarcon <\/strong><\/h2>\n<p>El proposito fundamental que nos hemos se\u00f1alado para la tesis doctoral ha sido estudiar cientificamente los retablos que existian en las iglesias parroquiales de las siete vicarias que formaron el arcedianato de segovia y poner de manifiesto el interesante desarrollo que el retablo barroco tuvo en la zona y la actividad de los talleres locales de ensambladores y tallistas. Llegaron a adquirir tan considerable importancia, que la presencia de maestros foraneos llego a ser esporadica.  el estudio lo hemos dividido en cinco partes independientes pero complementarias. En el primer apartado abordaremos una vision panoramica de la diocesis de segovia en los siglos xvii y xviii; en el segundo incluimos un estudio de los artistas, el oficio, el proceso constructivo del retablo y su evolucion; en el tercero, el diccionario de artistas, que comprende la recopilacion de las obras de escultores, entalladores, ensambladores, arquitectos, pintores y doradores; en el cuarto, hemos elaborado un extenso catalogo de los retablos de cada iglesia. El quinto contiene un apendice documental.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Retablos barrocos en el arcedianato de segovia.<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Retablos barrocos en el arcedianato de segovia. <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Mar\u00eda  Teresa Gonzalez Alarcon <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Complutense de Madrid<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 01\/01\/1995<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Francisco Jos\u00e9 Portela Sandoval<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: Virginia Tovar Martin <\/li>\n<li>Antonio Martinez Ripoll (vocal)<\/li>\n<li> Martin Gonzalez Juan  Jos\u00e9 (vocal)<\/li>\n<li> Ruiz Hernando Jos\u00e9 Antonio (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Mar\u00eda Teresa Gonzalez Alarcon El proposito fundamental que nos hemos se\u00f1alado para la tesis doctoral ha sido [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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