{"id":61933,"date":"2018-03-09T22:49:48","date_gmt":"2018-03-09T22:49:48","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/poeticas-de-la-identidad-en-la-cancion-urbana-greco-oriental-del-repertorio-otomano-al-rebetico-1821-1936\/"},"modified":"2018-03-09T22:49:48","modified_gmt":"2018-03-09T22:49:48","slug":"poeticas-de-la-identidad-en-la-cancion-urbana-greco-oriental-del-repertorio-otomano-al-rebetico-1821-1936","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/historia-moderna\/poeticas-de-la-identidad-en-la-cancion-urbana-greco-oriental-del-repertorio-otomano-al-rebetico-1821-1936\/","title":{"rendered":"Po\u00e9ticas de la identidad en la canci\u00f3n urbana greco-oriental: del repertorio otomano al reb\u00e9tico 1821-1936"},"content":{"rendered":"<h2>Tesis doctoral de <strong> Alberto Conejero L\u00f3pez <\/strong><\/h2>\n<p>Esta tesis por un lado remite a su connotaci\u00f3n etimol\u00f3gica de creaci\u00f3n y formaci\u00f3n para referirnos a los procesos de configuraci\u00f3n de la identidad colectiva griega en el ocaso del sistema de millet y el nacimiento del estado-naci\u00f3n, por otro, hace referencia al conjunto de principios y de recursos est\u00e9ticos de un g\u00e9nero art\u00edstico, en este caso del cancionero urbano de las comunidades greco-ortodoxas bajo administraci\u00f3n otomana. el objetivo fundamental de este trabajo ha sido demostrar la existencia en las urbes otomanas, sobre todo, en esmirna, de una cultura oral popular, pluriling\u00ed\u00bce y multi\u00e9tnica, en la que las comunidades greco-ortodoxas participaron activamente, y cuya muestra m\u00e1s v\u00edvida es el cancionero objeto de nuestro estudio.  palabras clave: grecia, esmirna, nacionalismo, m\u00fasica urbana.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Po\u00e9ticas de la identidad en la canci\u00f3n urbana greco-oriental: del repertorio otomano al reb\u00e9tico 1821-1936<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Po\u00e9ticas de la identidad en la canci\u00f3n urbana greco-oriental: del repertorio otomano al reb\u00e9tico 1821-1936 <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Alberto Conejero L\u00f3pez <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Complutense de Madrid<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 14\/12\/2007<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Pedro B\u00e1denas De La Pe\u00f1a<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: Monserrat Victoria Abumalham Mas <\/li>\n<li>Herv\u00e9 Georgelin (vocal)<\/li>\n<li>Jos\u00e9 Manuel Pedrosa Bartolome (vocal)<\/li>\n<li>Eusebi Ayensa Prata (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Alberto Conejero L\u00f3pez Esta tesis por un lado remite a su connotaci\u00f3n etimol\u00f3gica de creaci\u00f3n y formaci\u00f3n [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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