{"id":61974,"date":"2018-03-09T22:49:51","date_gmt":"2018-03-09T22:49:51","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/un-analisis-cinematografico-directo-el-sol-del-membrillo-victor-erice-1992\/"},"modified":"2018-03-09T22:49:51","modified_gmt":"2018-03-09T22:49:51","slug":"un-analisis-cinematografico-directo-el-sol-del-membrillo-victor-erice-1992","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/analisis-literario\/un-analisis-cinematografico-directo-el-sol-del-membrillo-victor-erice-1992\/","title":{"rendered":"Un analisis cinematografico directo: \u00abel sol del membrillo\u00bb (victor erice, 1992)"},"content":{"rendered":"<h2>Tesis doctoral de <strong> Jose Fuentes-guerra Soldevilla <\/strong><\/h2>\n<p>El an\u00e1lisis cinematogr\u00e1fico \u00abdirecto\u00bb es un modo de acometer la comprensi\u00f3n de una pel\u00edcula, desde la realidad m\u00e1s radical: desde el \u00abrespeto\u00bb que requiere la obra, para que, libremente, diga lo que tiene que decir. Dejar que cada obra lleve la iniciativa, supone una actitud abierta en el analista: de esta manera, el tema, su iluminaci\u00f3n sobre una realidad concreta, no se le impone al espectador, sino que se descubre; es la invitaci\u00f3n que cada obra ofrece al receptor como regalo, como experiencia de una revelaci\u00f3n personal. El m\u00e9todo <<directo>> de an\u00e1lisis invita al sujeto a salir de s\u00ed mismo para inteligir (ver) lo que tiene delante. Pero tras ese primer descubrimiento, viene el segundo, que le invita a querer (poner) lo visto, a unirse a ello. Con la inteligencia, la realidad se abre al sujeto; con la voluntad, \u00e9ste se adentra, libremente, en ella.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Un analisis cinematografico directo: \u00abel sol del membrillo\u00bb (victor erice, 1992)<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Un analisis cinematografico directo: \u00abel sol del membrillo\u00bb (victor erice, 1992) <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Jose Fuentes-guerra Soldevilla <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 M\u00e1laga<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 14\/12\/2007<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Juan  Salvador Victoria Mas<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: Francisco Garcia garcia <\/li>\n<li>Jos\u00e9 Antonio Ruiz san rom\u00e1n (vocal)<\/li>\n<li>M\u00aa carmen Rodriguez fuentes (vocal)<\/li>\n<li>Luisa Mar\u00eda Gomez del aguila (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Jose Fuentes-guerra Soldevilla El an\u00e1lisis cinematogr\u00e1fico \u00abdirecto\u00bb es un modo de acometer la comprensi\u00f3n de una pel\u00edcula, [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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