{"id":62034,"date":"2018-03-09T22:49:55","date_gmt":"2018-03-09T22:49:55","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/la-danza-en-la-corte-aragonesa-de-napoles-1442-1502\/"},"modified":"2018-03-09T22:49:55","modified_gmt":"2018-03-09T22:49:55","slug":"la-danza-en-la-corte-aragonesa-de-napoles-1442-1502","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/musica-y-musicologia\/la-danza-en-la-corte-aragonesa-de-napoles-1442-1502\/","title":{"rendered":"La danza en la corte aragonesa de n\u00e1poles (1442-1502)"},"content":{"rendered":"<h2>Tesis doctoral de <strong> Cecilia Nocilli <\/strong><\/h2>\n<p>A presente tesis doctoral est\u00e1 dividida en tres partes: la primera y segunda parte son un an\u00e1lisis de tipo sociocultural de los documentos inherentes a la corte aragonesa en n\u00e1poles para investigar la l\u00f3gica que subyace tras las apropiaciones y combinaciones de la cultura aragonesa con la napolitana, y las razones locales de las oposiciones, mediante el estudio del lenguaje emic del arte coreico aragon\u00e9s y napolitano en la festividad urbana y palaciega; la tercera parte es de tipo filol\u00f3gico interpretativo y se centra en el repertorio del manuscrito de cervera -\u00fanico c\u00f3dice espa\u00f1ol de contenido coreico del siglo xv &#8211; en relaci\u00f3n con las dem\u00e1s fuentes de danza italianas y francesas. Esta investigaci\u00f3n propone unas hip\u00f3tesis sobre lo que un hombre o una mujer del quattrocento pod\u00eda pensar sobre el bailar \u00aballa spagnola\u00bb. Se emplean dos metodolog\u00edas diferentes para el an\u00e1lisis del corpus documental: la primera, basada en la historia cultural, examina los indicios internos de los textos y de los documentos coreicos; la segunda aplica la filolog\u00eda textual para sondear con profundidad el texto del manuscrito de cervera. En esta perspectiva, la metodolog\u00eda cultural puede ser vista como el proseguimiento de la filol\u00f3gica y viceversa. Es una tesis doctoral de tipo coreol\u00f3gico y por ende, se basa sobre la interdisciplinariedad<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>La danza en la corte aragonesa de n\u00e1poles (1442-1502)<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 La danza en la corte aragonesa de n\u00e1poles (1442-1502) <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Cecilia Nocilli <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Valladolid<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 17\/12\/2007<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Soterra\u00f1a Aguirre Rinc\u00f3n<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: Mar\u00eda antonia Virgili blanquet <\/li>\n<li>Mar\u00eda Caraci (vocal)<\/li>\n<li>alessandro Pontremoli (vocal)<\/li>\n<li>Mar\u00eda  isabel Del val valdivieso (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Cecilia Nocilli A presente tesis doctoral est\u00e1 dividida en tres partes: la primera y segunda parte son [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[14281,9132,12451],"tags":[137018,137015,9723,137017,12717,137016],"class_list":["post-62034","post","type-post","status-publish","format-standard","hentry","category-danza-y-coreografia","category-musica-y-musicologia","category-valladolid","tag-alessandro-pontremoli","tag-cecilia-nocilli","tag-maria-antonia-virgili-blanquet","tag-maria-caraci","tag-maria-isabel-del-val-valdivieso","tag-soterrana-aguirre-rincon"],"_links":{"self":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/62034","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/comments?post=62034"}],"version-history":[{"count":0,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/62034\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/media?parent=62034"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/categories?post=62034"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/tags?post=62034"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}