{"id":6225,"date":"1995-01-01T00:00:00","date_gmt":"1995-01-01T00:00:00","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/1995\/01\/01\/turner-la-ultima-etapa-un-puente-hacia-el-siglo-xx\/"},"modified":"1995-01-01T00:00:00","modified_gmt":"1995-01-01T00:00:00","slug":"turner-la-ultima-etapa-un-puente-hacia-el-siglo-xx","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/historia\/turner-la-ultima-etapa-un-puente-hacia-el-siglo-xx\/","title":{"rendered":"Turner. la ultima etapa: un puente hacia el siglo xx."},"content":{"rendered":"<h2>Tesis doctoral de <strong>  Hernanz Sevillano M. Victoria <\/strong><\/h2>\n<p>La prolifica y original carrera del pintor j.M.W. Turner supone un entramado de influencias de maestros del pasado y artistas contemporaneos que, culminando en los logros vanguardistas de sus ultimas decadas, le acercan a los planteamientos artisticos del siglo xx.  su trayectoria experimental revela aspectos-puente entre epocas que pueden detectarse a traves de su compleja personalidad, sus analisis teoricos, recursos tecnicos, vinculaciones literarias y descubrimientos tecnicos; deteniendose en aspectos claves como la figura humana, el mar, el vortice, el sol y la produccion literaria.  partiendo de un pasado clasicista, y a traves del romanticismo y de una fiel vinculacion con la naturaleza, la produccion de turner queda enlazada con la luz impresionista, el subjetivismo colorista post-impresionista, la vision desgarrada del expresionismo o la libertad artistica del expresionismo abstracto.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Turner. la ultima etapa: un puente hacia el siglo xx.<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Turner. la ultima etapa: un puente hacia el siglo xx. <\/li>\n<li><strong>Autor:<\/strong>\u00a0  Hernanz Sevillano M. Victoria <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Complutense de Madrid<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 01\/01\/1995<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li> Momplet Miguez Antonio  E.<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: F\u00e9lix Mart\u00edn Guti\u00e9rrez <\/li>\n<li>Jos\u00e9 Gutierrez Buron (vocal)<\/li>\n<li>Mar\u00eda  Pilar Abad Garcia (vocal)<\/li>\n<li>Juan  Jos\u00e9 Luna Fernandez (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Hernanz Sevillano M. Victoria La prolifica y original carrera del pintor j.M.W. Turner supone un entramado de [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[147,104,2563,222,3806,1111],"tags":[5503,23565,23567,23569,23568,23566],"class_list":["post-6225","post","type-post","status-publish","format-standard","hentry","category-ciencias-de-las-artes-y-las-letras","category-historia","category-historia-del-arte-de-los-siglos-xix-y-xx","category-historias-especializadas","category-pintura","category-teoria-analisis-y-critica-de-las-bellas-artes","tag-felix-martin-gutierrez","tag-hernanz-sevillano-m-victoria","tag-jose-gutierrez-buron","tag-juan-jose-luna-fernandez","tag-maria-pilar-abad-garcia","tag-momplet-miguez-antonio-e"],"_links":{"self":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/6225","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/comments?post=6225"}],"version-history":[{"count":0,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/6225\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/media?parent=6225"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/categories?post=6225"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/tags?post=6225"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}