{"id":62692,"date":"2018-03-09T22:50:36","date_gmt":"2018-03-09T22:50:36","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/la-ensenanza-de-la-guitarra-barroca-solista-diseno-de-un-instrumento-para-el-analisis-de-su-repertorio\/"},"modified":"2018-03-09T22:50:36","modified_gmt":"2018-03-09T22:50:36","slug":"la-ensenanza-de-la-guitarra-barroca-solista-diseno-de-un-instrumento-para-el-analisis-de-su-repertorio","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/barcelona\/la-ensenanza-de-la-guitarra-barroca-solista-diseno-de-un-instrumento-para-el-analisis-de-su-repertorio\/","title":{"rendered":"La ense\u00f1anza de la guitarra barroca solista: dise\u00f1o de un instrumento para el an\u00e1lisis de su repertorio"},"content":{"rendered":"<h2>Tesis doctoral de <strong> Juli\u00e1n Navarro Gonz\u00e1lez <\/strong><\/h2>\n<p>La tesis presenta un estudio detallado del repertorio de la guitarra barroca solista mediante el an\u00e1lisis de 2933 piezas bajo 68 diferentes par\u00e1metros. La investigaci\u00f3n comienza con la definici\u00f3n del contexto hist\u00f3rico de la guitarra barroca, basado en las publicaciones hechas para el instrumento durante los siglos xvii y xviii; posteriormente se analiza la situaci\u00f3n actual, en donde se mencionan los centros existentes de ense\u00f1anzas de instrumentos de cuerda pulsada del renacimiento y el barroco en espa\u00f1a. una vez se define el contexto, se determina el proceso metodol\u00f3gico que llev\u00f3 al dise\u00f1o del instrumento de an\u00e1lisis. Para el dise\u00f1o se definieron tres campos espec\u00edficos donde se consignar\u00eda la informaci\u00f3n, el primero corresponde a los datos de los libros, el segundo a los datos de las piezas y el tercero al an\u00e1lisis de las piezas. El instrumento de an\u00e1lisis se valid\u00f3 con un grupo de expertos y consisti\u00f3 en una base de datos que tiene su \u00f3ptima utilizaci\u00f3n por medios inform\u00e1ticos con el software filemaker pro. los datos de las piezas se consignaron en la base de datos inform\u00e1tica y sus resultados permitieron determinar tendencias generalizadas del comportamiento del repertorio para la guitarra barroca solista. Las conclusiones arrojaron resultados interesantes acerca de la forma de componer en los siglos xvii y xviii para la guitarra barroca, as\u00ed como aspectos sobre las caracter\u00edsticas propias que diferenciaron al instrumento de la familia de instrumentos de cuerda pulsada del renacimiento y el barroco.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>La ense\u00f1anza de la guitarra barroca solista: dise\u00f1o de un instrumento para el an\u00e1lisis de su repertorio<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 La ense\u00f1anza de la guitarra barroca solista: dise\u00f1o de un instrumento para el an\u00e1lisis de su repertorio <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Juli\u00e1n Navarro Gonz\u00e1lez <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Barcelona<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 31\/01\/2008<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Jos\u00e9 Gustems Carnicer<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: Mar\u00eda  de los angeles Subirats bayego <\/li>\n<li>joan de la creu Godoy tomas (vocal)<\/li>\n<li>crist\u00ed\u00b2fol Trepat carbonell (vocal)<\/li>\n<li>carmen Ram\u00edrez hurtado (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Juli\u00e1n Navarro Gonz\u00e1lez La tesis presenta un estudio detallado del repertorio de la guitarra barroca solista mediante [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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