{"id":62709,"date":"2008-01-02T00:00:00","date_gmt":"2008-01-02T00:00:00","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/imagenes-del-fracaso-particularidades-escenograficas-en-los-grotescos-de-armando-discepolo\/"},"modified":"2008-01-02T00:00:00","modified_gmt":"2008-01-02T00:00:00","slug":"imagenes-del-fracaso-particularidades-escenograficas-en-los-grotescos-de-armando-discepolo","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/critica-de-textos\/imagenes-del-fracaso-particularidades-escenograficas-en-los-grotescos-de-armando-discepolo\/","title":{"rendered":"Im\u00e1genes del fracaso: particularidades escenogr\u00e1ficas en los grotescos de armando disc\u00e9polo."},"content":{"rendered":"<h2>Tesis doctoral de <strong> Daniel Jaureguiberry Marcelo <\/strong><\/h2>\n<p>La investigaci\u00f3n trata sobre el estudio de los espacios ficticios, escenogr\u00e1ficos, del dramaturgo argentino armando disc\u00e9polo, creador, a principios del siglo xx, del g\u00e9nero teatral denominado \u00abgrotesco criollo\u00bb, considerado cl\u00e1sico nacional del teatro argentino.  se realiz\u00f3 para la investigaci\u00f3n un dise\u00f1o transversal entre la pintura de lo grotesco, la arquitectura y las obras teatrales denominadas grotescos por el dramaturgo argentino con el objetivo de indagar las coordenadas que debieran tener en cuenta los dise\u00f1adores escenogr\u00e1ficos actuales a la hora de plantear sus propuestas para una puesta en escena de un grotesco criollo. El mismo trata sobre la vida de los inmigrantes que llegaron a argentina a fines del siglo xix y principios de xx, tras el sue\u00f1o de \u00abhacer la am\u00e9rica\u00bb, siendo su destino, en la mayor\u00eda de los casos, la frustraci\u00f3n y el fracaso. se realiz\u00f3 en dicha investigaci\u00f3n un  recorrido por la historia de la escenograf\u00eda argentina con el objetivo de indagar la evoluci\u00f3n del dise\u00f1o escenogr\u00e1fico desde la \u00e9poca de los estrenos de los grotescos discepolianos hasta la actualidad.  la investigaci\u00f3n est\u00e1 centrada en el  concepto \u00abteatrolog\u00eda\u00bb, que considera la pr\u00e1ctica como punto de partida para la reflexi\u00f3n te\u00f3rica y como objeto de dicha reflexi\u00f3n, por lo que dicha investigaci\u00f3n finaliz\u00f3 con la puesta en escena del grotesco paradigm\u00e1tico de la dramaturgia discepoliana como es la obra \u00abst\u00e9fano\u00bb, para la cual el autor de esta investigaci\u00f3n realiz\u00f3 la puesta en escena, direcci\u00f3n general y dise\u00f1o escenogr\u00e1fico, de vestuario y de iluminaci\u00f3n.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Im\u00e1genes del fracaso: particularidades escenogr\u00e1ficas en los grotescos de armando disc\u00e9polo.<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Im\u00e1genes del fracaso: particularidades escenogr\u00e1ficas en los grotescos de armando disc\u00e9polo. <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Daniel Jaureguiberry Marcelo <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Universitat de val\u00e9ncia (estudi general)<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 01\/02\/2008<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Manuel Diago Moncholi<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: josep lLuis Sirera turo <\/li>\n<li>\u00e1ngel Giella Miguel (vocal)<\/li>\n<li>arturo Colorado castellary (vocal)<\/li>\n<li>Antonio Tordera s\u00e1ez (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Daniel Jaureguiberry Marcelo La investigaci\u00f3n trata sobre el estudio de los espacios ficticios, escenogr\u00e1ficos, del dramaturgo argentino [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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