{"id":62782,"date":"2008-06-02T00:00:00","date_gmt":"2008-06-02T00:00:00","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/auristela-y-lisidante-edicion-cra%c2%adtica-de-una-comedia-calderoniana\/"},"modified":"2008-06-02T00:00:00","modified_gmt":"2008-06-02T00:00:00","slug":"auristela-y-lisidante-edicion-cra%c2%adtica-de-una-comedia-calderoniana","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/analisis-literario\/auristela-y-lisidante-edicion-cra%c2%adtica-de-una-comedia-calderoniana\/","title":{"rendered":"Auristela y lisidante: edici\u00f3n cr\u00edtica de una comedia calderoniana"},"content":{"rendered":"<h2>Tesis doctoral de <strong> Roc\u00edo Arana Caballero <\/strong><\/h2>\n<p>El teatro como una de las formas de expresi\u00f3n literaria me ha interesado desde siempre, y fue esta atracci\u00f3n la que me impuls\u00f3, terminados mis estudios de primer y segundo ciclo, a matricularme en el programa de doctorado \u00abciencias del espect\u00e1culo\u00bb, que ofrec\u00eda el departamento de literatura espa\u00f1ola de esta facultad.  dentro del teatro, creo que tambi\u00e9n desde siempre he preferido los siglos de oro y la figura de calder\u00f3n de la barca. Leyendo y viendo a calder\u00f3n en el escenario pude palpar c\u00f3mo se mezclan en sus comedias la ligereza y la frescura con la profundidad de contenido, agazapada incluso tras cualquier juego literario de entretenimiento.  a la hora de concretar un tema para mi tesis el prof. Arellano me propuso la comedia novelesca auristela y lisidante, de la cual no hay manuscritos disponibles pero s\u00ed una variada gama de versiones impresas que plantean interesantes cuestiones a la hora de realizar una edici\u00f3n cr\u00edtica.  en cuanto a la metodolog\u00eda seguida, me he atenido a los protocolos que suelen seguirse al abordar una edici\u00f3n cr\u00edtica: acopio de los testimonios, cotejo de los documentos existentes, fijaci\u00f3n textual, anotaci\u00f3n cr\u00edtica, estudio introductorio y estudio textual. En ning\u00fan momento a lo largo de este trayecto he caminado sola:  el acopio y cotejo de las ediciones fue llevado a cabo gracias a las indicaciones que aporta reichemberger en su manual cr\u00edtico calderoniano.  para la fijaci\u00f3n textual han sido de especial importancia dos referencias: el manual de cr\u00edtica textual de alberto blecua y editar a calder\u00f3n, de ignacio arellano.  en el estudio textual fueron fundamentales las sugerencias de mis dos directores.  para la anotaci\u00f3n he consultado un amplio caudal de obras eruditas, entre las que destaco: el diccionario de autoridades y el drae, el tesoro de la lengua castellana de sebasti\u00e1n de covarrubias, el vocabulario de refranes y frases proverbiales de correas, el diccionario etimol\u00f3gico de la lengua cas<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Auristela y lisidante: edici\u00f3n cr\u00edtica de una comedia calderoniana<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Auristela y lisidante: edici\u00f3n cr\u00edtica de una comedia calderoniana <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Roc\u00edo Arana Caballero <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Sevilla<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 06\/02\/2008<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Juan Montero Delgado<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal:  Lopez Bueno M. Bego\u00f1a <\/li>\n<li> Reyes Pe\u00f1a Mercedes De Los (vocal)<\/li>\n<li>Caterina Ruta (vocal)<\/li>\n<li>Carlos Mata Indur\u00e1in (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Roc\u00edo Arana Caballero El teatro como una de las formas de expresi\u00f3n literaria me ha interesado desde [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[148,10715],"tags":[18159,138614,2101,15518,53823,138613],"class_list":["post-62782","post","type-post","status-publish","format-standard","hentry","category-analisis-literario","category-sevilla","tag-carlos-mata-indurain","tag-caterina-ruta","tag-juan-montero-delgado","tag-lopez-bueno-m-begona","tag-reyes-pena-mercedes-de-los","tag-rocio-arana-caballero"],"_links":{"self":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/62782","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/comments?post=62782"}],"version-history":[{"count":0,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/62782\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/media?parent=62782"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/categories?post=62782"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/tags?post=62782"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}