{"id":63172,"date":"2018-03-09T22:51:06","date_gmt":"2018-03-09T22:51:06","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/lenguaje-y-experiencia-en-la-ma%c2%adstica-juda%c2%ada\/"},"modified":"2018-03-09T22:51:06","modified_gmt":"2018-03-09T22:51:06","slug":"lenguaje-y-experiencia-en-la-ma%c2%adstica-juda%c2%ada","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/lenguaje-y-experiencia-en-la-ma%c2%adstica-juda%c2%ada\/","title":{"rendered":"Lenguaje y experiencia en la m\u00edstica jud\u00eda"},"content":{"rendered":"<h2>Tesis doctoral de <strong> M\u00aa Rosario De Paz Blanco <\/strong><\/h2>\n<p>Tras una aproximaci\u00f3n a lo llamado m\u00edstica y su modo de estudio, se sit\u00faa la m\u00edstica jud\u00eda en lo que tiene de peculiar y de com\u00fan. La concepci\u00f3n del lenguaje y su funci\u00f3n performadora del mundo experiencial en los textos tradicionales jud\u00edos, es un decir del l\u00edmite y del vac\u00edo que se manifiesta en la letra, la palabra y el discurso. El texto es en la tradici\u00f3n jud\u00eda, m\u00e1s que en ninguna otra, fundamento ontol\u00f3gico, tanto en discurso ortodoxo: torah y talmud, como del oculto o cabal\u00edstica. La experiencia m\u00edstica figura en la ra\u00edz del texto mismo y las formas culturales del a comunidad jud\u00eda se nutren de ella. Se aborda el tema del cuerpo del m\u00edstico, como frontera que se abandona y como l\u00edmite y territorio desde el que se vive la experiencia m\u00edstica. El texto ser\u00e1 cuerpo \u00faltimo y fundante de la realidad en el \u00e1rbol sefir\u00f3tico. Finalmente el cuerpo del m\u00edstico se muda en texto y habla de lo que no se puede decir. Las met\u00e1foras y simbolog\u00eda presentes en la bella literatura de la tradici\u00f3n jud\u00eda permiten apreciar el surgir incesante del vac\u00edo, \u00faltimo fundamento de lo m\u00edstico, tambi\u00e9n de la experiencia ordinaria. El an\u00e1lisis de cuatro comonetarios cantar de los cantares, texto cumbre, as\u00ed nos lo demuestra. El texto toma cuerpo en la sociedad, como ley que vertebra en \u00edntima conexi\u00f3n con el decir m\u00edstico, ofreciendo sentido, programa y protagonismo a la experiencia hist\u00f3rica del pueblo jud\u00edo. Intentamos conectar los hallazgos, de repercusi\u00f3n universal, que la m\u00edstica jud\u00eda aporta a cuestiones que la actualidad tiene planteadas en el campo de lo social y pol\u00edtico. Esperamos que la m\u00edstica jud\u00eda y su peculiar visi\u00f3n, es inspiraci\u00f3n fecunda para fil\u00f3sofos literatos, terapeutas y un largo etc\u00e9tera inabarcable. Los textos no s\u00f3lo se relacionan con otras m\u00edsticas, y lo aportado por ellos en modo alguno forma parte de lo f\u00f3sil, sino que est\u00e1 vivo, es sugerentes y merece, al menos, conocerse.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Lenguaje y experiencia en la m\u00edstica jud\u00eda<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Lenguaje y experiencia en la m\u00edstica jud\u00eda<\/li>\n<li><strong>Autor:<\/strong>\u00a0 M\u00aa Rosario De Paz Blanco <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Complutense de Madrid<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 28\/02\/2008<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Jos\u00e9 Miguel Marinas Herreras<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: graciano Gonz\u00e1lez rodr\u00edguez <\/li>\n<li>Manuel Fraijo nieto (vocal)<\/li>\n<li>Manuel Fern\u00e1ndez del riesgo (vocal)<\/li>\n<li>Luis Garc\u00eda soto (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de M\u00aa Rosario De Paz Blanco Tras una aproximaci\u00f3n a lo llamado m\u00edstica y su modo de estudio, [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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