{"id":63430,"date":"2008-10-03T00:00:00","date_gmt":"2008-10-03T00:00:00","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/la-representacion-cinematografica-de-las-lagrimas-femeninas-sobre-el-retrato-de-la-actriz-en-el-cine-moderno\/"},"modified":"2008-10-03T00:00:00","modified_gmt":"2008-10-03T00:00:00","slug":"la-representacion-cinematografica-de-las-lagrimas-femeninas-sobre-el-retrato-de-la-actriz-en-el-cine-moderno","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/teoria-analisis-y-critica-de-las-bellas-artes\/la-representacion-cinematografica-de-las-lagrimas-femeninas-sobre-el-retrato-de-la-actriz-en-el-cine-moderno\/","title":{"rendered":"La representaci\u00f3n cinematogr\u00e1fica de las l\u00e1grimas femeninas sobre el retrato de la actriz en el cine moderno"},"content":{"rendered":"<h2>Tesis doctoral de <strong> Gonzalo De Lucas Abril <\/strong><\/h2>\n<p>La investigaci\u00f3n es una topograf\u00eda de la representaci\u00f3n cinematogr\u00e1fica de las l\u00e1grimas como \u00edndices, huellas o trazos de tiempo. En el cine, a diferencia de la literatura o de la pintura, el personaje no es \u00fanicamente un ser imaginario, sino que tambi\u00e9n es una persona real, que inscribe su voz, sus gestos, miradas o l\u00e1grimas en la materia de la pel\u00edcula. Con el cine moderno, desaparece la visi\u00f3n m\u00edtica e ic\u00f3nica de las estrellas, y muchas pel\u00edculas se convierten en dietarios de pareja en que el cineasta retrata a su mujer para fijar la presencia real de su cuerpo. Desde esta perspectiva, la tesis aborda la obra, entre otros, de rossellini, renoir, bergman, godard, n\u00edcholas ray y philippe garrel.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>La representaci\u00f3n cinematogr\u00e1fica de las l\u00e1grimas femeninas sobre el retrato de la actriz en el cine moderno<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 La representaci\u00f3n cinematogr\u00e1fica de las l\u00e1grimas femeninas sobre el retrato de la actriz en el cine moderno <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Gonzalo De Lucas Abril <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Pompeu fabra<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 10\/03\/2008<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Nuria Bou Sala<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: dom\u00e9nec Font blanch <\/li>\n<li>antoni Mari mu\u00f1oz (vocal)<\/li>\n<li>angel Quintana morraja (vocal)<\/li>\n<li>raffaele Pinto stanziano (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Gonzalo De Lucas Abril La investigaci\u00f3n es una topograf\u00eda de la representaci\u00f3n cinematogr\u00e1fica de las l\u00e1grimas como [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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