{"id":64159,"date":"2018-03-09T22:52:08","date_gmt":"2018-03-09T22:52:08","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/stanle-william-hayter-o-la-innovacion-del-grabado-moderno\/"},"modified":"2018-03-09T22:52:08","modified_gmt":"2018-03-09T22:52:08","slug":"stanle-william-hayter-o-la-innovacion-del-grabado-moderno","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/dibujo-y-grabado\/stanle-william-hayter-o-la-innovacion-del-grabado-moderno\/","title":{"rendered":"Stanle william hayter o la innovacion del grabado moderno"},"content":{"rendered":"<h2>Tesis doctoral de <strong> Ming Yi Chou <\/strong><\/h2>\n<p>Mi linea de investigaci\u00f3n se titula stanley william hayter y la innovaci\u00f3n del grabado moderno. Se divide en dos tomos. El primer tomo contiene cuatro cap\u00edtulos: cap\u00edtulo i.. Biograf\u00eda de s. W. Hayter. cap\u00edtulo ii. Importancia de la ense\u00f1anza de sus maestros. cap\u00edtulo ii. Su ense\u00f1anza, influencia y repercusi\u00f3n de su obra. cap\u00edtulo iv. Obra de s. W. Hayter. el segundo tomo est\u00e1 formado por los siguientes cap\u00edtulos: cap\u00edtulo v. Atelier 17. cap\u00edtulo vi. Aportaciones fundamentales t\u00e9cnicas surgidas en el grabado policromo del atelier 17. cap\u00edtulo vii. Entrevistas. cap\u00edtulo viii. Conclusiones. cap\u00edtulo ix. Bibliograf\u00eda. cap\u00edtulo x. Ap\u00e9nde (aportaciones pr\u00e1cticas). stanley william hayter instalado en par\u00eds y m\u00e1s tarde en estados unidos provoc\u00f3 una renovaci\u00f3n de inter\u00e9s en las artes gr\u00e1ficas e influy\u00f3 mundialmente por el contacto con el atelier 17 o por talleres establecidos por todo el mundo. Sus m\u00e9todos t\u00e9cnicos e innovadores han afectado radicalmente a muchas facetas del arte del grabado en todo el mundo.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Stanle william hayter o la innovacion del grabado moderno<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Stanle william hayter o la innovacion del grabado moderno <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Ming Yi Chou <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Sevilla<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 24\/04\/2008<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Gema Climent Camacho<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: rita Del rio rodr\u00edguez <\/li>\n<li>Mar\u00eda  Jos\u00e9 Garcia del moral y mora (vocal)<\/li>\n<li>Jos\u00e9 Fuentes estevez (vocal)<\/li>\n<li>Manuel Manzorro perez (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Ming Yi Chou Mi linea de investigaci\u00f3n se titula stanley william hayter y la innovaci\u00f3n del grabado [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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