{"id":6431,"date":"1995-01-01T00:00:00","date_gmt":"1995-01-01T00:00:00","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/1995\/01\/01\/fenomenologia-de-la-experiencia-visionaria-en-el-bosco-de-la-iconografia-a-la-figuracion\/"},"modified":"1995-01-01T00:00:00","modified_gmt":"1995-01-01T00:00:00","slug":"fenomenologia-de-la-experiencia-visionaria-en-el-bosco-de-la-iconografia-a-la-figuracion","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/filosofia\/fenomenologia-de-la-experiencia-visionaria-en-el-bosco-de-la-iconografia-a-la-figuracion\/","title":{"rendered":"Fenomenolog\u00eda de la experiencia visionaria en el bosco. de la iconografia a la figuracion."},"content":{"rendered":"<h2>Tesis doctoral de <strong> Luis Pe\u00f1alver Alhambra <\/strong><\/h2>\n<p>A partir de las aportaciones especializadas de la historia y la teoria del arte, me he propuesto explorar una problematica inedita en torno a la obra de el bosco.  con este fin, y tomando como hilo conductor de mi investigacion la figura del monstruo (figura crucial para introducirnos en el universo imaginario del pintor), he realizado un recorrido fenomenologico por las obras del pintor que me ha llevado de la iconografia a la figuracion, entendida esta como una particular forma de pensamiento que se sustenta en la poetica de las imagenes, y en particular a la que hemos denominado figuracion \u00abvisionaria\u00bb, un modo imaginario de aludir lo que no se puede nombrar: la alteridad radical que en ultimo termino se muestra como la \u00abexperiencia\u00bb de nuestra propia muerte.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Fenomenolog\u00eda de la experiencia visionaria en el bosco. de la iconografia a la figuracion.<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Fenomenolog\u00eda de la experiencia visionaria en el bosco. de la iconografia a la figuracion. <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Luis Pe\u00f1alver Alhambra <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Complutense de Madrid<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 01\/01\/1995<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Ana Mar\u00eda Leyra Soriano<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal:  Calle De La Calle Roman <\/li>\n<li>Mercedes Lopez Garcia (vocal)<\/li>\n<li>Rafael Garcia Alonso (vocal)<\/li>\n<li>Julia Garcia-alca\u00f1iz Yuste (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Luis Pe\u00f1alver Alhambra A partir de las aportaciones especializadas de la historia y la teoria del arte, [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[960,10452,165],"tags":[23338,24087,24090,24086,24088,24089],"class_list":["post-6431","post","type-post","status-publish","format-standard","hentry","category-antropologia-filosofica","category-estetica","category-filosofia","tag-ana-maria-leyra-soriano","tag-calle-de-la-calle-roman","tag-julia-garcia-alcaniz-yuste","tag-luis-penalver-alhambra","tag-mercedes-lopez-garcia","tag-rafael-garcia-alonso"],"_links":{"self":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/6431","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/comments?post=6431"}],"version-history":[{"count":0,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/6431\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/media?parent=6431"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/categories?post=6431"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/tags?post=6431"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}