{"id":6456,"date":"1995-01-01T00:00:00","date_gmt":"1995-01-01T00:00:00","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/1995\/01\/01\/el-cine-de-bunuel-fotografias-que-se-suceden-vermicularmente\/"},"modified":"1995-01-01T00:00:00","modified_gmt":"1995-01-01T00:00:00","slug":"el-cine-de-bunuel-fotografias-que-se-suceden-vermicularmente","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/ciencias-de-las-artes-y-las-letras\/el-cine-de-bunuel-fotografias-que-se-suceden-vermicularmente\/","title":{"rendered":"El cine de bu\u00f1uel: \u00abfotografias que se suceden vermicularmente\u00bb"},"content":{"rendered":"<h2>Tesis doctoral de <strong> Pedro Poyato Sanchez <\/strong><\/h2>\n<p>\u00abel objetivo -ese ojo sin tradicion, sin moral, sin prejuicios, capaz, sin embargo, de interpretar el mundo por si mismo- ve el mundo. El cineasta, despues, lo ordena&#8230;  segmentacion. Creacion. Escision de una cosa para convertirse en otra&#8230;  ese paisaje, para ser recreado por el cinema, necesitara segmentarse en cincuenta, cien y mas trozos. Todos ellos se sucederan despues vermicularmente para componer asi la entidad film.\u00bb asi entendia luis bu\u00f1uel, en 1928 -antes, por tanto, de haber realizado film alguno-, la creacion cinematografica. El trabajo de tesis trata de dar cuenta, a traves del analisis textual de cuatro filmes -representantes de cada uno de los periodos del cine de bu\u00f1uel-, \u00abun perro andaluz\u00bb, \u00abel\u00bb, \u00abviridiana\u00bb y \u00abese oscuro objeto del deseo\u00bb, de como la escritura bu\u00f1ueliana, siguiendo el dictado anterior, forja un texto que, en ese encadenamiento de fotografias -esculpidas, repitamoslo, por un ojo sin tradicion, sin moral y sin prejuicios-, viene marcado por sus pliegues, por sus surcos irregulares; por sus texturas, en suma.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>El cine de bu\u00f1uel: \u00abfotografias que se suceden vermicularmente\u00bb<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 El cine de bu\u00f1uel: \u00abfotografias que se suceden vermicularmente\u00bb <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Pedro Poyato Sanchez <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Complutense de Madrid<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 01\/01\/1995<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Jes\u00fas Gonzalez Requena<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal:  Toran Pelaez Luis Enrique <\/li>\n<li> Plaza Santiago Fco. JavierDe La (vocal)<\/li>\n<li>Jenaro Talens Carmona (vocal)<\/li>\n<li>Juan Miguel Company (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Pedro Poyato Sanchez \u00abel objetivo -ese ojo sin tradicion, sin moral, sin prejuicios, capaz, sin embargo, de [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[147,5547,4735,269,1111],"tags":[4740,4737,4739,24151,24152,4738],"class_list":["post-6456","post","type-post","status-publish","format-standard","hentry","category-ciencias-de-las-artes-y-las-letras","category-cinematografia","category-comunicaciones-sociales","category-sociologia","category-teoria-analisis-y-critica-de-las-bellas-artes","tag-jenaro-talens-carmona","tag-jesus-gonzalez-requena","tag-juan-miguel-company","tag-pedro-poyato-sanchez","tag-plaza-santiago-fco-javierde-la","tag-toran-pelaez-luis-enrique"],"_links":{"self":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/6456","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/comments?post=6456"}],"version-history":[{"count":0,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/6456\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/media?parent=6456"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/categories?post=6456"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/tags?post=6456"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}