{"id":64671,"date":"2018-03-09T22:52:44","date_gmt":"2018-03-09T22:52:44","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/la-dramaturgia-popular-valenciana-del-segle-xviii-el-teatre-breu\/"},"modified":"2018-03-09T22:52:44","modified_gmt":"2018-03-09T22:52:44","slug":"la-dramaturgia-popular-valenciana-del-segle-xviii-el-teatre-breu","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/analisis-literario\/la-dramaturgia-popular-valenciana-del-segle-xviii-el-teatre-breu\/","title":{"rendered":"La dramat\u00fargia popular Valenciana del segle xviii: el teatre breu"},"content":{"rendered":"<h2>Tesis doctoral de <strong> Gabriel Sansano I Belso <\/strong><\/h2>\n<p>La tesis se divide en dos partes: en la primera se estudian las formas de teatro popular en la sociedad Valenciana que se representaban al margen de la de comedias y de los espacios oficiales, y se ponen en relaci\u00f3n con el teatro breve castellano barroco. Con este fin se estudian tambi\u00e9n los modelos de teatro castellano y su relaci\u00f3n con la imprenta, los pliegos de comedias, etc. Se investiga c\u00f3mo surgen estas formas breves en el teatro Valenciano, su evoluci\u00f3n, sus fuentes, sus lugares de representaci\u00f3n, sus actores y p\u00fablico, y las diferencias que pueden existir entre estas formas teatrales y el resto de textos considerados col.Loquis. Finalmente, se analizan los personajes y los elementos dram\u00e1ticos de estos textos dram\u00e1ticos aut\u00f3ctonos, muchos de los cuales, hasta ahora, hab\u00edan sido considerados textos po\u00e9ticos populares. En la segunda parte se editan diecisiete textos, nueve de los cuales son in\u00e9ditos se hace un inventario general de coloquios, relaciones y romances Valencianos.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>La dramat\u00fargia popular Valenciana del segle xviii: el teatre breu<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 La dramat\u00fargia popular Valenciana del segle xviii: el teatre breu <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Gabriel Sansano I Belso <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Alicante<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 23\/05\/2008<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Josep LLuis Sirera Turo<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: joan Mas i vives <\/li>\n<li>fran\u00ed\u00a7ois Sur\u00e9da (vocal)<\/li>\n<li>josep Mar\u00eda Sala valldaura (vocal)<\/li>\n<li>antoni Serr\u00ed\u00a0 campins (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Gabriel Sansano I Belso La tesis se divide en dos partes: en la primera se estudian las [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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