{"id":64836,"date":"2018-03-09T22:52:55","date_gmt":"2018-03-09T22:52:55","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/el-realismo-magico-en-la-obra-cinematografica-de-andre-delvaux\/"},"modified":"2018-03-09T22:52:55","modified_gmt":"2018-03-09T22:52:55","slug":"el-realismo-magico-en-la-obra-cinematografica-de-andre-delvaux","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/el-realismo-magico-en-la-obra-cinematografica-de-andre-delvaux\/","title":{"rendered":"El realismo m\u00e1gico en la obra cinematogr\u00e1fica de andr\u00e9 delvaux"},"content":{"rendered":"<h2>Tesis doctoral de <strong> Santiago Rub\u00edn De Celis Pastor <\/strong><\/h2>\n<p>La presente tesis doctoral representa un doble acercamiento, te\u00f3rico y pr\u00e1ctico, al concepto de \u00abrealismo m\u00e1gico\u00bb dentro de la obra cinematogr\u00e1fica del realizados flamenco andr\u00e9 delvaux. Para ello, primero, partiendo de las conceptualizaciones de dicho t\u00e9rmino provenientes de dos campos tan distintos como la historiograf\u00eda del arte -disciplina a la que \u00e9ste debe su origen- y la literatura -fuente de alimentaci\u00f3n de la gran mayor\u00eda de los t\u00edtulos estudiados en el presente trabajo-, se elabora un repaso hist\u00f3rico que sirve de marco conceptual general a la investigaci\u00f3n, y que, posteriormente, da paso a una reelaboraci\u00f3n de \u00e9ste, espec\u00edficamente relacionada con el medio cinematogr\u00e1fico. As\u00ed, prestando una especial atenci\u00f3n tanto a aspectos espec\u00edficamente narrativos como a sus respectivas estructuras generales, se trata de comparar el grupo de pel\u00edculas objeto de estudio no solo con sus or\u00edgenes novelescos y entre s\u00ed, sino, sobre todo, con una peque\u00f1a selecci\u00f3n tentativa de hipot\u00e9ticos ejemplos cinematogr\u00e1ficos de dicha corriente art\u00edstica, que sirve para contrastar la pertinencia del modelo te\u00f3rico presentado.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>El realismo m\u00e1gico en la obra cinematogr\u00e1fica de andr\u00e9 delvaux<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 El realismo m\u00e1gico en la obra cinematogr\u00e1fica de andr\u00e9 delvaux <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Santiago Rub\u00edn De Celis Pastor <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Complutense de Madrid<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 30\/05\/2008<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Antonio Castro Bobillo<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: julio a. S\u00e1nchez andrada <\/li>\n<li>Juan Hern\u00e1ndez les (vocal)<\/li>\n<li>Rafael Gomez alonso (vocal)<\/li>\n<li>Juli\u00e1n Rodriguez pardo (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Santiago Rub\u00edn De Celis Pastor La presente tesis doctoral representa un doble acercamiento, te\u00f3rico y pr\u00e1ctico, al [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[1],"tags":[126538,143055,86363,143054,101754,143053],"class_list":["post-64836","post","type-post","status-publish","format-standard","hentry","category-sin-categoria","tag-antonio-castro-bobillo","tag-juan-hernandez-les","tag-julian-rodriguez-pardo","tag-julio-a-sanchez-andrada","tag-rafael-gomez-alonso","tag-santiago-rubin-de-celis-pastor"],"_links":{"self":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/64836","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/comments?post=64836"}],"version-history":[{"count":0,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/64836\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/media?parent=64836"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/categories?post=64836"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/tags?post=64836"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}