{"id":65769,"date":"2018-03-09T22:53:53","date_gmt":"2018-03-09T22:53:53","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/antivideo-estetica-e-intermedialidad\/"},"modified":"2018-03-09T22:53:53","modified_gmt":"2018-03-09T22:53:53","slug":"antivideo-estetica-e-intermedialidad","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/historia-del-arte-de-los-siglos-xix-y-xx\/antivideo-estetica-e-intermedialidad\/","title":{"rendered":"Antivideo: estetica e intermedialidad."},"content":{"rendered":"<h2>Tesis doctoral de <strong> Ricardo Roncero Palomar <\/strong><\/h2>\n<p>Dentro de la produccion de obra audiovisuales de promocion musical cabe se\u00f1alar una porcion, considerable en cantidad, aunque no en proporcion con el resto, de obras audiovisuales que investigan y experimentan con el lenguaje audiovisual. Estas piezas, denominadas antivideos y encargadas generalmente a profesionales ajenos al mundo de la publicidad como video creadores, fotogrados y artistas, son afrontadas desde una total libertad de creacion.  los problemas de exhibicion de estas piezas comienzan a desaparecer con la llegada de nuevos sistemas de distribucion de material audivisual, como internet, que han supuesto para el ativideo una excelente plataforma para llegar al publico. Sistemas que han permitido l a localizacion de estas piezas y su estdio.   esta tesis analizada, desde la aparicion del cine, la vinculacion entre la imagen experimental en movimiento y la musica popular. Tambien estudia los medios de distribucion habituales del video musical, desde su consolidacion por parte de la industria dicografica, y la adapatacion de estos al antivideo.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Antivideo: estetica e intermedialidad.<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Antivideo: estetica e intermedialidad. <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Ricardo Roncero Palomar <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Rey juan carlos<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 30\/06\/2008<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Rafael Gomez Alonso<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: Jos\u00e9 Mar\u00eda Alvarez monzoncillo <\/li>\n<li>Mar\u00eda  del mar Marcos molano (vocal)<\/li>\n<li>alfonso Puyal sanz (vocal)<\/li>\n<li>josep llu\u00eds Fec\u00e9 g\u00f3mez (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Ricardo Roncero Palomar Dentro de la produccion de obra audiovisuales de promocion musical cabe se\u00f1alar una porcion, [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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