{"id":65971,"date":"2008-04-07T00:00:00","date_gmt":"2008-04-07T00:00:00","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/el-ojo-muerto-de-holbein\/"},"modified":"2008-04-07T00:00:00","modified_gmt":"2008-04-07T00:00:00","slug":"el-ojo-muerto-de-holbein","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/teoria-analisis-y-critica-de-las-bellas-artes\/el-ojo-muerto-de-holbein\/","title":{"rendered":"El ojo muerto de holbein"},"content":{"rendered":"<h2>Tesis doctoral de <strong> Elena Vicente Herranz <\/strong><\/h2>\n<p>Tesis doctoral: el ojo muerto de holbein. a\u00f1o de lectura: 2008 universidad de granada. autora: elena vicente herranz director de la tesis: v\u00edctor borrego nadal.  resumen: desde la primera impresi\u00f3n el cuadro \u00ablos embajadores\u00bb de holbein, nos fuerza a atender a la absurda calavera que se nos cruza como una interferencia entre el ojo y la imagen. Toda la visi\u00f3n cae, a partir de ese momento, bajo la influencia de esa distorsi\u00f3n. El instintivo esfuerzo de encontrar el modo correcto de dirigir la mirada, termina por trastornar cada elemento de la imagen que, a partir de ahora, parece cobrar una autonom\u00eda hipn\u00f3tica, en una especie de contagiosa epidemia de enigmas. El anamorfismo se sit\u00faa en las fronteras de lo inmediatamente conocible, en los confines de la visi\u00f3n, en esa oblicuidad desde la que todo se nos aparece como extra\u00f1o, como vuelto del rev\u00e9s, al menos desde la estrecha perspectiva de la mirada encajada en la convenci\u00f3n. Ya nada es lo mismo. Tampoco parece casual que el desencadenante de esta aparici\u00f3n de aberraciones \u00f3pticas sea el s\u00edmbolo de la muerte.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>El ojo muerto de holbein<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 El ojo muerto de holbein <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Elena Vicente Herranz <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Granada<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 04\/07\/2008<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>V\u00edctor Borrego Nadal<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: alfonso Maso guerri <\/li>\n<li>Marta Linaza iglesias (vocal)<\/li>\n<li>m. angeles Diaz barbado (vocal)<\/li>\n<li>Juan  Fernando de la Iglesia gonzalez de pereda (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Elena Vicente Herranz Tesis doctoral: el ojo muerto de holbein. a\u00f1o de lectura: 2008 universidad de granada. [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[1111],"tags":[4366,145422,4367,145423,121360,22841],"class_list":["post-65971","post","type-post","status-publish","format-standard","hentry","category-teoria-analisis-y-critica-de-las-bellas-artes","tag-alfonso-maso-guerri","tag-elena-vicente-herranz","tag-juan-fernando-de-la-iglesia-gonzalez-de-pereda","tag-m-angeles-diaz-barbado","tag-marta-linaza-iglesias","tag-victor-borrego-nadal"],"_links":{"self":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/65971","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/comments?post=65971"}],"version-history":[{"count":0,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/65971\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/media?parent=65971"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/categories?post=65971"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/tags?post=65971"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}