{"id":6685,"date":"1995-01-01T00:00:00","date_gmt":"1995-01-01T00:00:00","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/1995\/01\/01\/emilio-prados-una-vision-de-la-totalidad\/"},"modified":"1995-01-01T00:00:00","modified_gmt":"1995-01-01T00:00:00","slug":"emilio-prados-una-vision-de-la-totalidad","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/historia\/emilio-prados-una-vision-de-la-totalidad\/","title":{"rendered":"Emilio prados: una vision de la totalidad."},"content":{"rendered":"<h2>Tesis doctoral de <strong> Francisco Chica Hermoso <\/strong><\/h2>\n<p>Una revision de la figura de emilio prados contemplada esencialmente desde la idea de exilio interior. El trabajo se articula en dos apartados en los que obra y biografia quedan estrechamente vinculados. En la primera parte se analiza el periodo espa\u00f1ol (1898-1938), y se establecen los limites de su poetica, viendola como resultado de su formacion institucionista y de su temprana relacion con las vanguardias europeas. Se replantea la incidencia del surrealismo, asi como el concepto de compromiso politico. La segunda parte, nucleo central de la tesis, da cuenta del periodo mejicano (1939-1962) y aporta abundante material inedito en relacion con esta etapa: nuevos datos biograficos y contextuales, analisis de la obra poetica, manuscritos, correspondencia, etc. Se maneja informacion procedente del archivo de la biblioteca del escritor. En el apendice final se ofrece material de ambos periodos. En suma, da una nueva perspectiva de prados dentro de la poesia espa\u00f1ola, muestra la coherencia moral de su obra y establece su marcada peculiaridad dentro de la generacion del 27.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Emilio prados: una vision de la totalidad.<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Emilio prados: una vision de la totalidad. <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Francisco Chica Hermoso <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 M\u00e1laga<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 01\/01\/1995<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li> Calle Martin Jos\u00e9 De La<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: Crist\u00f3bal Cuevas Garc\u00eda <\/li>\n<li>Jos\u00e9 Antonio Hernandez Guerrero (vocal)<\/li>\n<li>Juan  Antonio Ramirez Dominguez (vocal)<\/li>\n<li>James Valender (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Francisco Chica Hermoso Una revision de la figura de emilio prados contemplada esencialmente desde la idea de [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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