{"id":66956,"date":"2018-03-09T22:55:19","date_gmt":"2018-03-09T22:55:19","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/el-teatro-de-dias-gomes-desde-1959-hasta-1969\/"},"modified":"2018-03-09T22:55:19","modified_gmt":"2018-03-09T22:55:19","slug":"el-teatro-de-dias-gomes-desde-1959-hasta-1969","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/analisis-literario\/el-teatro-de-dias-gomes-desde-1959-hasta-1969\/","title":{"rendered":"El teatro de dias gomes desde 1959 hasta 1969"},"content":{"rendered":"<h2>Tesis doctoral de <strong> Miguel Angel Zamorano Heras <\/strong><\/h2>\n<p>Abordamos en este trabajo el an\u00e1lisis de seis obras del autor teatral brasile\u00f1o alfredo dias gomes (1922-1999), comprendidas en la d\u00e9cada de los sesenta, desde la perspectiva de la teor\u00eda de motivos y estrategias. En esta propuesta te\u00f3rica se desarrollan enfoques de ge\u00ed\u00b6rgy luk\u00e1cs y lucien goldmann tomados tanto de su base sociol\u00f3gica marxista. La cuesti\u00f3n esencial que se plantea es la de comprender y explicar las posiciones desde las que las nuevas generaciones se asoman a la pr\u00e1ctica profesional de la cr\u00edtica y la investigaci\u00f3n del teatro.    el sistema de respuestas a la agresi\u00f3n del entorno desde las artes esc\u00e9nicas se configura como una fuerza con capacidad de mediaci\u00f3n. Examinaremos las estrategias que en este campo dise\u00f1a dias gomes desde su yo individual en el per\u00edodo comprendido entre 1959 y 1964, y comprobaremos su v\u00ednculo con un motivo o sistema de motivos estructurante de su respuesta. Por lo tanto, se\u00f1alamos como objetivo del presente trabajo el de descubrir las estrategias que configura dias gomes como acciones significativas para responder a las agresiones del entorno en este per\u00edodo concreto y vincularlas a un motivo o un sistema de motivos.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>El teatro de dias gomes desde 1959 hasta 1969<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 El teatro de dias gomes desde 1959 hasta 1969 <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Miguel Angel Zamorano Heras <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Alcal\u00e1<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 18\/09\/2008<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Angel Berenguer Castellary<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: josep lLuis Sirera turo <\/li>\n<li>Francisco Gutierrez carbajo (vocal)<\/li>\n<li>Mar\u00eda  angeles Grande rosales (vocal)<\/li>\n<li>fidel Lopez criado (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Miguel Angel Zamorano Heras Abordamos en este trabajo el an\u00e1lisis de seis obras del autor teatral brasile\u00f1o [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[17426,148,1110],"tags":[11560,36871,41889,11559,70387,147433],"class_list":["post-66956","post","type-post","status-publish","format-standard","hentry","category-alcala","category-analisis-literario","category-teatro","tag-angel-berenguer-castellary","tag-fidel-lopez-criado","tag-francisco-gutierrez-carbajo","tag-josep-lluis-sirera-turo","tag-maria-angeles-grande-rosales","tag-miguel-angel-zamorano-heras"],"_links":{"self":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/66956","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/comments?post=66956"}],"version-history":[{"count":0,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/66956\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/media?parent=66956"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/categories?post=66956"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/tags?post=66956"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}