{"id":66994,"date":"2018-03-09T22:55:22","date_gmt":"2018-03-09T22:55:22","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/hamlet-en-espana\/"},"modified":"2018-03-09T22:55:22","modified_gmt":"2018-03-09T22:55:22","slug":"hamlet-en-espana","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/analisis-literario\/hamlet-en-espana\/","title":{"rendered":"Hamlet en espa\u00f1a"},"content":{"rendered":"<h2>Tesis doctoral de <strong> Denis Rafter <\/strong><\/h2>\n<p>Cuando un actor de teatro debe interpretar un papel necesita un texto claro y veraz que d\u00e9 las pistas correctas para construirlo.  Este estudio examina hasta qu\u00e9 punto el personaje de hamlet ha llegado al actor espa\u00f1ol con toda la fuerza, tal como fue concebido por su creador, shakespeare.  La investigaci\u00f3n se concentra en los siete soliloquios de hamlet.  Porque el actor tiene que articularlos durante la obra con todo su razonamiento filos\u00f3fico, brillantez po\u00e9tica, pasi\u00f3n verdadera y claridad de pensamiento e ideas.  La tesis tiene un an\u00e1lisis detallado de ocho traductores: \t\t1772  &#8211;  ram\u00f3n de la cruz, \t1798  &#8211;  inarco selenio (morat\u00edn) \t1872  &#8211;  carlos coello \t1873  &#8211;  guillermo macpherson \t1922  &#8211;  luis astrana mar\u00edn \t1958  &#8211;  \u00e1lvaro cunqueiro \t1960  &#8211;  antonio buero vallejo \t1989  &#8211;  vicente molina foix.  la conclusi\u00f3n es que ninguno de ellos ha conseguido reunir a la vez todos los cuatro aspectos, racionalidad, tonalidad, sentimentalidad y coherencia, para que el actor espa\u00f1ol pueda articular el personaje de hamlet.  hemos llegado a la conclusi\u00f3n adem\u00e1s, que la tarea de presentar un hamlet espa\u00f1ol verdadero y coherente no es imposible, ofreciendo textos de calder\u00f3n de la barca y samuel beckett como ejemplos.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Hamlet en espa\u00f1a<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Hamlet en espa\u00f1a <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Denis Rafter <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Alcal\u00e1<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 19\/09\/2008<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Angel Berenguer Castellary<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: Jos\u00e9 nicolas Romera castillo <\/li>\n<li>Francisco Gutierrez carbajo (vocal)<\/li>\n<li>Jes\u00fas Rubio jim\u00e9nez (vocal)<\/li>\n<li>Carlos Alba peinado (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Denis Rafter Cuando un actor de teatro debe interpretar un papel necesita un texto claro y veraz [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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