{"id":67106,"date":"2018-03-09T22:55:30","date_gmt":"2018-03-09T22:55:30","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/recepcion-y-proyeccion-de-la-compana%c2%ada-bufos-madrilenos-en-madrid-1866-1869\/"},"modified":"2018-03-09T22:55:30","modified_gmt":"2018-03-09T22:55:30","slug":"recepcion-y-proyeccion-de-la-compana%c2%ada-bufos-madrilenos-en-madrid-1866-1869","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/teatro\/recepcion-y-proyeccion-de-la-compana%c2%ada-bufos-madrilenos-en-madrid-1866-1869\/","title":{"rendered":"Recepci\u00f3n y proyecci\u00f3n de la compa\u00f1\u00edabufos madrile\u00f1os en Madrid, 1866-1869."},"content":{"rendered":"<h2>Tesis doctoral de <strong> Sergio Enrique Barreiro S\u00e1nchez <\/strong><\/h2>\n<p>Recepci\u00f3n y proyecci\u00f3n de la compa\u00f1\u00eda bufos madrile\u00f1os en Madrid, 1866-1869 propone adentrarse en el quehacer de la compa\u00f1\u00eda bufa que fundara el actor y empresario francisco arder\u00edus y realizar un repaso de la misma en la etapa comprendida entre 1866 y 1869.  el estudio que aqu\u00ed se presenta tiene como prop\u00f3sito fundamental ampliar el material documental existente sobre la labor en las tres primeras temporadas de la compa\u00f1\u00eda de los bufos madrile\u00f1os, teniendo eso s\u00ed en cuenta que durante la tercera y \u00faltima de las mismas dicha compa\u00f1\u00eda cambia su nombre por el de bufos arder\u00edus. As\u00ed mismo, este trabajo establece la cartelera teatral referente a las funciones de la compa\u00f1\u00eda en el periodo estudiado y el acercamiento a la figura de francisco arder\u00edus, creador e impulsor de los bufos en espa\u00f1a, aportando nuevos datos sobre su persona y obra.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Recepci\u00f3n y proyecci\u00f3n de la compa\u00f1\u00edabufos madrile\u00f1os en Madrid, 1866-1869.<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Recepci\u00f3n y proyecci\u00f3n de la compa\u00f1\u00edabufos madrile\u00f1os en Madrid, 1866-1869. <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Sergio Enrique Barreiro S\u00e1nchez <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Alcal\u00e1<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 25\/09\/2008<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Angel Berenguer Castellary<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: teodosio Fernandez rodriguez <\/li>\n<li>Antonio S\u00e1nchez trigueros (vocal)<\/li>\n<li>Jos\u00e9 nicolas Romera castillo (vocal)<\/li>\n<li>Francisco Gutierrez carbajo (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Sergio Enrique Barreiro S\u00e1nchez Recepci\u00f3n y proyecci\u00f3n de la compa\u00f1\u00eda bufos madrile\u00f1os en Madrid, 1866-1869 propone adentrarse [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[17426,1110],"tags":[11560,3573,41889,5039,147712,4849],"class_list":["post-67106","post","type-post","status-publish","format-standard","hentry","category-alcala","category-teatro","tag-angel-berenguer-castellary","tag-antonio-sanchez-trigueros","tag-francisco-gutierrez-carbajo","tag-jose-nicolas-romera-castillo","tag-sergio-enrique-barreiro-sanchez","tag-teodosio-fernandez-rodriguez"],"_links":{"self":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/67106","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/comments?post=67106"}],"version-history":[{"count":0,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/67106\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/media?parent=67106"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/categories?post=67106"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/tags?post=67106"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}