{"id":67434,"date":"2018-03-09T22:55:51","date_gmt":"2018-03-09T22:55:51","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/la-mujer-como-tema-en-la-representacion-pictorica-occidental-imagen-femenina-vs-masculina-desde-finales-del-siglo-xix-hasta-la-decada-de-los-setenta-del-siglo-xx\/"},"modified":"2018-03-09T22:55:51","modified_gmt":"2018-03-09T22:55:51","slug":"la-mujer-como-tema-en-la-representacion-pictorica-occidental-imagen-femenina-vs-masculina-desde-finales-del-siglo-xix-hasta-la-decada-de-los-setenta-del-siglo-xx","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/pintura\/la-mujer-como-tema-en-la-representacion-pictorica-occidental-imagen-femenina-vs-masculina-desde-finales-del-siglo-xix-hasta-la-decada-de-los-setenta-del-siglo-xx\/","title":{"rendered":"La mujer como tema en la representacion pictorica occidental. imagen femenina vs. masculina. desde finales del siglo xix hasta la decada de los setenta del siglo xx"},"content":{"rendered":"<h2>Tesis doctoral de <strong> Mar\u00eda  Luisa Beneytez Maesa <\/strong><\/h2>\n<p>Las mujeres relegadas al \u00e1mbito de lo privado y sublimadas en representaciones ol\u00edmpicas y grandilocuentes, se introducen en el \u00e1mbito p\u00fablico por los resquicios que dejan las relaciones de poder de los padres (del cielo, del olimpo, de la patria, de la familia), comenzando por la cultura art\u00edstica; quiz\u00e1s, por donde menos se esperaba dicha \u00abintromisi\u00f3n\u00bb. he querido poner el \u00e1mbito de una relaci\u00f3n de fuerzas, expresadas en los caballetes de pintores y pintoras en las distintas transiciones culturales, sociales y econ\u00f3micas, operadas enm\u00e1s de un siglo que va desde la mitad del siglo xix hasta la d\u00e9cada de los setenta del siglo xx: \u00abla guerra de sexos se expresa tambi\u00e9n en una guerra de pinceles\u00bb, como reesumen de las ideas imperantes. tambi\u00e9n he querido mostrar, las definiciones o conceptualizaciones de tradici\u00f3n y vanguardia, explorando en los movilientos art\u00edsticos las posiciones de los pintores de ambos sexos; pero no s\u00f3lo las actitudes ante los estilos y las est\u00e9ticas, sino ante los propios que configuran la historia de los avatares humanos, que ambos g\u00e9neros abordan con unenfoque radicalmente distinto en cuanto a valores imperantes. O podr\u00eda decir que los mismos valores son interpretados desde dos enfoques distintos.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>La mujer como tema en la representacion pictorica occidental. imagen femenina vs. masculina. desde finales del siglo xix hasta la decada de los setenta del siglo xx<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 La mujer como tema en la representacion pictorica occidental. imagen femenina vs. masculina. desde finales del siglo xix hasta la decada de los setenta del siglo xx <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Mar\u00eda  Luisa Beneytez Maesa <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Sevilla<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 15\/10\/2008<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Antonio Agudo Tercero<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: pilar Sanchiz ochoa <\/li>\n<li>pilar Gil t\u00e9bar (vocal)<\/li>\n<li>mercedes Espiau eizaguirre (vocal)<\/li>\n<li>Juan  bautista Peiro lopez (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Mar\u00eda Luisa Beneytez Maesa Las mujeres relegadas al \u00e1mbito de lo privado y sublimadas en representaciones ol\u00edmpicas [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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