{"id":67889,"date":"2008-07-11T00:00:00","date_gmt":"2008-07-11T00:00:00","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/caminando-sobre-espejos-teatro-ideologia-e-identidad-en-cuba-1959-1976\/"},"modified":"2008-07-11T00:00:00","modified_gmt":"2008-07-11T00:00:00","slug":"caminando-sobre-espejos-teatro-ideologia-e-identidad-en-cuba-1959-1976","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/critica-de-textos\/caminando-sobre-espejos-teatro-ideologia-e-identidad-en-cuba-1959-1976\/","title":{"rendered":"Caminando sobre espejos: teatro, ideolog\u00eda e identidad en cuba (1959-1976)"},"content":{"rendered":"<h2>Tesis doctoral de <strong> Emilio Jose Gallardo Saborido <\/strong><\/h2>\n<p>La tesis doctoral que ahora presentamos bajo el t\u00edtulo caminando sobre espejos: teatro, ideolog\u00eda e identidad en cuba (1959-1976) posee una estructura bipartita que deseamos explicitar al lector con vistas a facilitarle la lectura. la primera parte la constituye el estudio denominado el martillo y el espejo: directrices de la pol\u00edtica cultural cubana (1959-1976). Partiendo de un acercamiento \u00abmacro\u00bb al campo cultural cubano del periodo seleccionado, aportamos datos, opiniones, reflexiones, etc., Para comprender c\u00f3mo se desarroll\u00f3 el di\u00e1logo entre los poderes pol\u00edticos y el mundo de la cultura. De este modo, y a trav\u00e9s de un acercamiento que desarrolla una revisi\u00f3n cronol\u00f3gica, se precisa la evoluci\u00f3n de la pol\u00edtica cultural paso a paso. en segundo lugar, en la escritura de los reflejos: premios dram\u00e1ticos de la revoluci\u00f3n cubana, se encontrar\u00e1 un estudio \u00abmicro\u00bb sobre los principales cert\u00e1menes de dramaturgia de la isla. En este caso, el enfoque literario (an\u00e1lisis de obras, autores, tendencias) entronca con los problemas planteados en la primera parte de la tesis doctoral, tratando de insertar el devenir de estos premios dentro del contexto mayor que ata\u00f1e a el martillo y el espejo. por \u00faltimo, la obra se cierra con una serie de anexos, donde, junto con los listados de los galardonados en los diversos cert\u00e1menes, se reproducen varias entrevistas realizadas a diversas personalidades relacionadas con el campo cultural cubano. Cerrando el trabajo, procedemos a ofrecer la recopilaci\u00f3n de las fuentes bibliogr\u00e1ficas consultadas.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Caminando sobre espejos: teatro, ideolog\u00eda e identidad en cuba (1959-1976)<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Caminando sobre espejos: teatro, ideolog\u00eda e identidad en cuba (1959-1976) <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Emilio Jose Gallardo Saborido <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Sevilla<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 07\/11\/2008<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Trinidad Barrera Lopez<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: Mar\u00eda del carmen Ruiz barrionuevo <\/li>\n<li>martha Canfield (vocal)<\/li>\n<li>Antonio Acosta rodriguez (vocal)<\/li>\n<li>josef Opatrny (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Emilio Jose Gallardo Saborido La tesis doctoral que ahora presentamos bajo el t\u00edtulo caminando sobre espejos: teatro, [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[149,10715],"tags":[50154,149217,149219,48855,149218,11168],"class_list":["post-67889","post","type-post","status-publish","format-standard","hentry","category-critica-de-textos","category-sevilla","tag-antonio-acosta-rodriguez","tag-emilio-jose-gallardo-saborido","tag-josef-opatrny","tag-maria-del-carmen-ruiz-barrionuevo","tag-martha-canfield","tag-trinidad-barrera-lopez"],"_links":{"self":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/67889","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/comments?post=67889"}],"version-history":[{"count":0,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/67889\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/media?parent=67889"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/categories?post=67889"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/tags?post=67889"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}