{"id":69020,"date":"2004-05-07T00:00:00","date_gmt":"2004-05-07T00:00:00","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/citaa%c2%a7ao-e-invena%c2%a7ao-na-obra-poetica-de-manuel-alegre\/"},"modified":"2004-05-07T00:00:00","modified_gmt":"2004-05-07T00:00:00","slug":"citaa%c2%a7ao-e-invena%c2%a7ao-na-obra-poetica-de-manuel-alegre","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/salamanca\/citaa%c2%a7ao-e-invena%c2%a7ao-na-obra-poetica-de-manuel-alegre\/","title":{"rendered":"Cita\u00c1\u00a7ao e inven\u00c1\u00a7ao na obra poetica de manuel alegre"},"content":{"rendered":"<h2>Tesis doctoral de <strong>  Machado Da Veiga Norberto Francisco <\/strong><\/h2>\n<p>Manuel alegre conquist\u00f3 su lugar en la poes\u00eda portuguesa contempor\u00e1nea, como se demuestra en la introducci\u00f3n de esta tesis \u00abla recepci\u00f3n cr\u00edtica del trabajo de manuel alegre\u00bb de 1960 hasta 2000.  este trabajo, que tiene como objeto de estudio la obra po\u00e9tica de manuel alegre, se divide en cuatro cap\u00edtulos: el primero estudia las relaciones entre la poes\u00eda y la vida, las figuraciones del poeta y la forma como el proceso po\u00e9tico se enfrenta. Tambi\u00e9n son objeto de estudio los aspectos ling\u00ed\u00bc\u00edsticos, los asuntos po\u00e9ticos y los recursos ret\u00f3ricos que ayudan a entender el substrato ling\u00ed\u00bc\u00edstico y el ars del poeta. El cap\u00edtulo termina con una propuesta de divisi\u00f3n de la obra po\u00e9tica de manuel alegre.  el cap\u00edtulo segundo estudia la reescritura elaborada en dos momentos, primero en el colact\u00e1nea de (1989) y despu\u00e9s en trabajo po\u00e9tico (2000), intentando descubrir las razones que llevaron el poeta a dejar de considerar como suyos  vocablos, versos e poemas.  el tercer cap\u00edtulo trabaja el concepto de la invenci\u00f3n y la reinvenci\u00f3n de algunos mitos, mostrando la finalidad con que el poeta los reutiliza. la reinvenci\u00f3n de la tradici\u00f3n \u00e9pica y de la vertiente eleg\u00edaca que atraviesa todo lo cuerpo poem\u00e1tico del autor, y la forma como manuel alegre las recupera, terminan el cap\u00edtulo.  el concepto de la citaci\u00f3n y los elementos paratextuales, el abordaje de la pr\u00e1ctica citacional y la identificaci\u00f3n de las resonancias cl\u00e1sicas, presentes en su obra, forman el \u00faltimo cap\u00edtulo.  las conclusiones, la bibliograf\u00eda (que sobre el poeta es casi exhaustiva) y los anexos (sobre la obra po\u00e9tica) completan el trabajo.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Cita\u00c1\u00a7ao e inven\u00c1\u00a7ao na obra poetica de manuel alegre<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Cita\u00c1\u00a7ao e inven\u00c1\u00a7ao na obra poetica de manuel alegre <\/li>\n<li><strong>Autor:<\/strong>\u00a0  Machado Da Veiga Norberto Francisco <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Salamanca<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 05\/07\/2004<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>\u00e1ngel Marcos De Dios<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal:  Gavilanes laso Jos\u00e9 Luis <\/li>\n<li>ausente Ausente (vocal)<\/li>\n<li> Teruelo nu\u00f1ez mari sol (vocal)<\/li>\n<li>el\u00edas j Torres feijoo (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Machado Da Veiga Norberto Francisco Manuel alegre conquist\u00f3 su lugar en la poes\u00eda portuguesa contempor\u00e1nea, como se [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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