{"id":69530,"date":"2018-03-09T23:13:58","date_gmt":"2018-03-09T23:13:58","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/valle-inclan-e-o-teatro-galego-a-recepcion-da-arte-dramatica-de-valle-inclan-na-dramaturxia-galega-1916-1973\/"},"modified":"2018-03-09T23:13:58","modified_gmt":"2018-03-09T23:13:58","slug":"valle-inclan-e-o-teatro-galego-a-recepcion-da-arte-dramatica-de-valle-inclan-na-dramaturxia-galega-1916-1973","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/santiago-de-compostela\/valle-inclan-e-o-teatro-galego-a-recepcion-da-arte-dramatica-de-valle-inclan-na-dramaturxia-galega-1916-1973\/","title":{"rendered":"Valle-incl\u00e1n e o teatro galego. a recepci\u00f3n da arte dram\u00e1tica de valle-incl\u00e1n na dramaturxia galega (1916-1973)"},"content":{"rendered":"<h2>Tesis doctoral de <strong> Euloxio Rodr\u00edguez Ruibal <\/strong><\/h2>\n<p>El sistema teatral gallego, procurando compatibilizar \u00abenxebrismo\u00bb con europeismo, busc\u00f3 ya el nacimiento del nacionalismo modelos est\u00e9ticos, para superar un notable atraso, en diversos &#8212; y dramaturgos de proyecci\u00f3n universal.  en este estudio de car\u00e1cter comparatista se analiza la recepci\u00f3n de la literatura dram\u00e1tica de valle-incl\u00e1n en nuestra dramaturgia, desde la creaci\u00f3n de las irmandades da fala (1916) hasta 1973, en la primera muestra abrente de ribadavia. Se intenta profundizar en el di\u00e1logo intertextual, es &#8212; indagar, relacionar y confrontar los textos dram\u00e1ticos de un sistema teatral emergente con los &#8212; principal autor, pertenciente a un centro cultural e ling\u00ed\u00bc\u00edsticamente hegem\u00f3nico, tomado como &#8212; en la construcic\u00f3n de una etnoest\u00e9tica teatral gallega.  a tal fin, se rastrea la recepci\u00f3n productiva, tanto fenomenol\u00f3gica como sociol\u00f3gica, en los textos dram\u00e1ticos de los principales autores de la \u00e9poca n\u00f3s (vicente risco, otero pedrayo, castelalo, vilar ponte cotarelo, rafael dieste, \u00e1lvaro das casas), de los que intentaron continuar la labor en la emigraci\u00f3n o con el exilio (seoane, blanco-amor, d\u00edaz pardo) o de los que, casi siempre silenciados, se acercaron a la literatura dram\u00e1tica durante a larga posguerra (\u00e1lvaro cunqueiro, anxel fole, gonz\u00e1lez alegre, mari\u00f1as del valle, tom\u00e1s barros, daniel cortez\u00f3n, manuel mar\u00eda fern\u00e1ndez teixeiro).<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Valle-incl\u00e1n e o teatro galego. a recepci\u00f3n da arte dram\u00e1tica de valle-incl\u00e1n na dramaturxia galega (1916-1973)<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Valle-incl\u00e1n e o teatro galego. a recepci\u00f3n da arte dram\u00e1tica de valle-incl\u00e1n na dramaturxia galega (1916-1973) <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Euloxio Rodr\u00edguez Ruibal <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Santiago de compostela<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 19\/07\/2004<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Anxo Abu\u00edn Gonz\u00e1lez<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: Luis Iglesias feijoo <\/li>\n<li>carmen Becerra suarez (vocal)<\/li>\n<li>laura Tato fonta\u00f1a (vocal)<\/li>\n<li>anxo Tarr\u00edo varela (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Euloxio Rodr\u00edguez Ruibal El sistema teatral gallego, procurando compatibilizar \u00abenxebrismo\u00bb con europeismo, busc\u00f3 ya el nacimiento del [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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