{"id":69773,"date":"2018-03-09T23:14:14","date_gmt":"2018-03-09T23:14:14","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/intrahistoria-material-y-practica-escenica-del-teatro-burgues-decimononico-el-testimonio-del-teatro-calderon-de-la-barca-valladolid-1863-1900\/"},"modified":"2018-03-09T23:14:14","modified_gmt":"2018-03-09T23:14:14","slug":"intrahistoria-material-y-practica-escenica-del-teatro-burgues-decimononico-el-testimonio-del-teatro-calderon-de-la-barca-valladolid-1863-1900","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/valladolid\/intrahistoria-material-y-practica-escenica-del-teatro-burgues-decimononico-el-testimonio-del-teatro-calderon-de-la-barca-valladolid-1863-1900\/","title":{"rendered":"Intrahistoria material y pr\u00e1ctica esc\u00e9nica del teatro burgu\u00e9s decimon\u00f3nico. el testimonio del teatro calder\u00f3n de la barca: valladolid, 1863-1900"},"content":{"rendered":"<h2>Tesis doctoral de <strong> Juan Peruarena Arregui <\/strong><\/h2>\n<p>Aproximaci\u00f3n a la historia del teatro decimon\u00f3nico seg\u00fan criterios espectaculares a trav\u00e9s de los diversos procesos materiales del ejercicio teatral: espacios, edificios, escenograf\u00eda, y escenot\u00e9cnica a trav\u00e9s del testimonio del teatro calder\u00f3n de la barca de valladolid<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Intrahistoria material y pr\u00e1ctica esc\u00e9nica del teatro burgu\u00e9s decimon\u00f3nico. el testimonio del teatro calder\u00f3n de la barca: valladolid, 1863-1900<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Intrahistoria material y pr\u00e1ctica esc\u00e9nica del teatro burgu\u00e9s decimon\u00f3nico. el testimonio del teatro calder\u00f3n de la barca: valladolid, 1863-1900 <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Juan Peruarena Arregui <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Valladolid<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 29\/07\/2004<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Mar\u00eda Antonia Virgili Blanquet<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal:  De la plaza Santiago Francisco javier <\/li>\n<li>Jes\u00fas Carlos Rubio jim\u00e9nez (vocal)<\/li>\n<li>encina Cortizo Mar\u00eda (vocal)<\/li>\n<li>irene Vallejo gonz\u00e1lez (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Juan Peruarena Arregui Aproximaci\u00f3n a la historia del teatro decimon\u00f3nico seg\u00fan criterios espectaculares a trav\u00e9s de los [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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