{"id":69868,"date":"2004-09-09T00:00:00","date_gmt":"2004-09-09T00:00:00","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/epistemologa%c2%ada-y-ensenanza-en-el-arte-del-diseno\/"},"modified":"2004-09-09T00:00:00","modified_gmt":"2004-09-09T00:00:00","slug":"epistemologa%c2%ada-y-ensenanza-en-el-arte-del-diseno","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/epistemologa%c2%ada-y-ensenanza-en-el-arte-del-diseno\/","title":{"rendered":"Epistemolog\u00eda y ense\u00f1anza en el arte del dise\u00f1o"},"content":{"rendered":"<h2>Tesis doctoral de <strong> Juan  Antonio Chamorro Sanchez <\/strong><\/h2>\n<p>Se compone un paradigma del dise\u00f1o que contiene el ense\u00f1ar y el hacer. desde la semi\u00f3tica, se entiende el objeto a dise\u00f1ar dentro de un campo encilop\u00e9dico; y en \u00e9l, el objeto se estructura dentro de un c\u00f3digo, y desde \u00e9ste se reconoce un tipo. El paradigma es una estructura de nudos que posiciona, al que dise\u00f1a, en ellos; cada nudo abre el n\u00facleo de sus contenidos, abre caminos dentro de su propio nudo y cada uno se relaciona con los restantes rizom\u00e1ticamente (tridimensionalmente por lo menos). El paradigma no es cerrado en su n\u00famero de nudos ni en las relaciones entre ellos; el paradigma debe estar continuamente generando, asentando y renovando relaciones entre nudos y admitiendo nuevos y eliminando; seminando o condensando los existentes.  el paradigma que se presenta es una  potencia de creatividad. Estableciendo el dise\u00f1ador en el paradigma, \u00e9ste  le obliga a estar siempre en la cima de la visi\u00f3n. En el paradigma el dise\u00f1ador recorre a voluntad los nudos; saltando de unos a otros, tejiendo la mara\u00f1a de la red relacional que le supone el concepto de salto, sin trabas de longitudes y simultaneidades. los saltos, en el paradigma, entre nudos pueden ser cualesquiera y sin limitaciones. Este es el rizoma tejido; los rastros de los saltos en libertad.  la potencia creativa del paradigma se manifiesta cuando -en el nudo de la tipolog\u00eda- el dise\u00f1ador, reconociendo el tipo del objeto, o teni\u00e9ndolo asumido por su conocimiento previo, lo sigue, lo transforma o lo rompe, porque la posici\u00f3n en el paradigma lo impele y explicita los contenidos de sus nudos y relaciones, y recorri\u00e9ndolos a voluntad y a su albedr\u00edo.  y para m\u00e1s clarificar, lo mantenido en la tesis, realizamos dos experimentos, que se exponen y creemos demuestran.  uno de los experimentos va a reconocer el tipo del objeto y, de una manera muy elemental, va a violentarlo -suprimiendo uno de sus elementos- en base a que el objeto, as\u00ed violentado, al perder una<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Epistemolog\u00eda y ense\u00f1anza en el arte del dise\u00f1o<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Epistemolog\u00eda y ense\u00f1anza en el arte del dise\u00f1o <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Juan  Antonio Chamorro Sanchez <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Complutense de Madrid<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 09\/09\/2004<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li> Navarro De Zuvillaga Javier<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: Miguel Ruiz massip <\/li>\n<li> Prada poole Jos\u00e9 Miguel (vocal)<\/li>\n<li>aurora Fern\u00e1ndez polanco (vocal)<\/li>\n<li>anna Calvera sagu\u00e9 (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Juan Antonio Chamorro Sanchez Se compone un paradigma del dise\u00f1o que contiene el ense\u00f1ar y el hacer. [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[1],"tags":[15951,64220,152796,6696,7650,67895],"class_list":["post-69868","post","type-post","status-publish","format-standard","hentry","category-sin-categoria","tag-anna-calvera-sague","tag-aurora-fernandez-polanco","tag-juan-antonio-chamorro-sanchez","tag-miguel-ruiz-massip","tag-navarro-de-zuvillaga-javier","tag-prada-poole-jose-miguel"],"_links":{"self":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/69868","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/comments?post=69868"}],"version-history":[{"count":0,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/69868\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/media?parent=69868"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/categories?post=69868"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/tags?post=69868"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}