{"id":70189,"date":"2018-03-09T23:14:41","date_gmt":"2018-03-09T23:14:41","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/harold-pinter-entre-la-convencion-y-el-absurdo-cotidiano\/"},"modified":"2018-03-09T23:14:41","modified_gmt":"2018-03-09T23:14:41","slug":"harold-pinter-entre-la-convencion-y-el-absurdo-cotidiano","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/harold-pinter-entre-la-convencion-y-el-absurdo-cotidiano\/","title":{"rendered":"Harold pinter: entre la convencion y el absurdo cotidiano"},"content":{"rendered":"<h2>Tesis doctoral de <strong> Mar\u00eda Jimenez Fortea <\/strong><\/h2>\n<p>El objetivo de este trabajo es demostrar que la obra del dramaturgo h. pinter puede ser encuadrada dentro del movimiento teatral denominado realista, a pesar de las cr\u00edticas que ha recibido. Para demostrar esta resis hemos dividido el trabajo en 5 capitulos. En primer lugar, inlcuimos un estudio comparativo sobre la cr\u00edtica que rodea a pinter y otros autores del teatro del absurdo. Pues hubo quien pensaba que conten\u00eda ciertos rasgos de ese movimiento, al cual pertenecen ionesco y beckett. Autores tambi\u00e9n estudiados en nuestra investigaci\u00f3n.  tambi\u00e9n hemos dedicado parte de nuestro estudio a comparar la obra de pinter con shakespeare, la comedia de la restauraci\u00f3n, wilde y shaw, as\u00ed como con sus contempor\u00e1neos wesker y osborne. De este modi, pensamos que hecho patente la cercan\u00eda en los temas de pinter tanto con autores lejanos en el tiempo, como con sus contempor\u00e1neos. Sin olvidar que todos los autores, incluso pinter, tratan los temas cotidianos. Ahora bien, cada uno en su \u00e9poca, aunque siempre hay una cierta universsalidad que no cambia por mucho que pasen los a\u00f1os.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Harold pinter: entre la convencion y el absurdo cotidiano<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Harold pinter: entre la convencion y el absurdo cotidiano <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Mar\u00eda Jimenez Fortea <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Universitat de val\u00e9ncia (estudi general)<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 21\/09\/2004<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li> Martinez Luciano Juan  Vicente<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: Miguel Teruel pozas <\/li>\n<li> Prado perez Jos\u00e9 ramon (vocal)<\/li>\n<li>Ana Mar\u00eda Gimeno sanz (vocal)<\/li>\n<li>pilar Ezpeleta piorno (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Mar\u00eda Jimenez Fortea El objetivo de este trabajo es demostrar que la obra del dramaturgo h. pinter [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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