{"id":70236,"date":"2018-03-09T23:14:44","date_gmt":"2018-03-09T23:14:44","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/la-musica-piana%c2%adstica-de-joaquin-rodrigo\/"},"modified":"2018-03-09T23:14:44","modified_gmt":"2018-03-09T23:14:44","slug":"la-musica-piana%c2%adstica-de-joaquin-rodrigo","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/la-musica-piana%c2%adstica-de-joaquin-rodrigo\/","title":{"rendered":"La m\u00fasica pian\u00edstica de joaquin rodrigo"},"content":{"rendered":"<h2>Tesis doctoral de <strong> M\u00aa Consuelo Mart\u00edn Colinet <\/strong><\/h2>\n<p>La tesis \u00abla m\u00fasica pian\u00edstica de joaqu\u00edn rodrigo\u00bb, en 3 vol\u00famenes: vol. i, vol. Ii-a, vol. Ii-b y vol. Iii, trata el piano como eje coordinador de los dem\u00e1s estratos de la producci\u00f3n musical y literaria de  joaqu\u00edn rodrigo.  el humanismo de joaqu\u00edn rodrigo y  su producci\u00f3n pian\u00edstica con todos los aspectos que intervienen en ella ser\u00e1n los pilares b\u00e1sicos en que se sustenta este trabajo.  toda la investigaci\u00f3n se ha cimentado en las fuentes primarias, es decir, directamente sobre los textos  de joaqu\u00edn rodrigo tanto editados como in\u00e9ditos. el estudio de las fuentes musicales, en ocasiones respaldadas por las textuales, ha permitido la elaboraci\u00f3n de los aspectos constructivos de la obra, b\u00e1sicos para su an\u00e1lisis. Y las fuentes orales, considerando como tales las recogidas en entrevistas con music\u00f3logos o int\u00e9rpretes -directores de orquesta, instrumentistas y cantantes- para pulimentar el perfil humano, objetivo del vol. I titulado \u00abjoaqu\u00edn rodrigo el hombre\u00bb, estructurado en dos cap\u00edtulos: \u00abel individuo y el contexto social\u00bb y \u00abjoaqu\u00edn rodrigo visto desde la posteridad\u00bb.  nuestra investigaci\u00f3n sobre la obra pian\u00edstica contin\u00faa en el vol. Ii sobre las fuentes: el estudio sobre los manuscritos musicales y las cajas que recogen material correspondiente al piano nos permiti\u00f3 el avance simult\u00e1neo en varios campos:  1\u00c2\u00ba- la elaboraci\u00f3n de un cat\u00e1logo de la obra pian\u00edstica a dos manos sobre los manuscritos.  2\u00c2\u00ba- el estudio de concordancias entre el facs\u00edmil, nuestra transcripci\u00f3n del mismo y la primera edici\u00f3n de cada una de las piezas.  3\u00c2\u00ba- el an\u00e1lisis de cada una de las obras pian\u00edsticas de joaqu\u00edn rodrigo a dos manos con el objetivo principal de concretar los aspectos de la concepci\u00f3n constructiva que ayudan a configurar una idea espec\u00edfica respecto a la definici\u00f3n de su estructura y estilo, punto de partida para trabajar aspectos b\u00e1sicos de la tem\u00e1tica sobre la producci\u00f3n pian\u00edstica de que<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>La m\u00fasica pian\u00edstica de joaquin rodrigo<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 La m\u00fasica pian\u00edstica de joaquin rodrigo <\/li>\n<li><strong>Autor:<\/strong>\u00a0 M\u00aa Consuelo Mart\u00edn Colinet <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Aut\u00f3noma de Madrid<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 22\/09\/2004<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Bego\u00f1a Lolo Herranz<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: ram\u00f3n Barce benito <\/li>\n<li>lothar Siemens (vocal)<\/li>\n<li>yv\u00e1n Nommick (vocal)<\/li>\n<li> Noain calabuig Luis Mar\u00eda (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de M\u00aa Consuelo Mart\u00edn Colinet La tesis \u00abla m\u00fasica pian\u00edstica de joaqu\u00edn rodrigo\u00bb, en 3 vol\u00famenes: vol. i, [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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