{"id":7108,"date":"1995-01-01T00:00:00","date_gmt":"1995-01-01T00:00:00","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/1995\/01\/01\/tres-capillas-musicales-salmantinas-1700-1750\/"},"modified":"1995-01-01T00:00:00","modified_gmt":"1995-01-01T00:00:00","slug":"tres-capillas-musicales-salmantinas-1700-1750","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/ciencias-de-las-artes-y-las-letras\/tres-capillas-musicales-salmantinas-1700-1750\/","title":{"rendered":"Tres capillas musicales salmantinas (1700-1750)."},"content":{"rendered":"<h2>Tesis doctoral de <strong> Mar\u00eda no P\u00e9rez Prieto <\/strong><\/h2>\n<p>El estudio de los principales aspectos que configuran las capillas musicales salmantinas catedralicia, universitaria y de la parroquia de san martin, durante el periodo 1700-50, desvela que estasagrupaciones musicales eran fundamentales en la practica musical realizada en esta ciudad y durante ese periodo.La practica musical observada en ellas es en gran parte comun, y evoluciona en este periodo reflejado los principales cambios estilisticos de la epoca como consecuencia de la influencia, tanto de factores puramente musicales como de los procedentes de la evolucion social y cultural de su entorno.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Tres capillas musicales salmantinas (1700-1750).<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Tres capillas musicales salmantinas (1700-1750). <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Mar\u00eda no P\u00e9rez Prieto <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Salamanca<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 01\/01\/1995<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Damaso Garcia Fraile<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: Antonio Martin Moreno <\/li>\n<li>Luis Enrique Rodriguez San Pedro Bezares (vocal)<\/li>\n<li>Rosario \u00e1lvarez Mart\u00ednez (vocal)<\/li>\n<li> Rodriguez De La Flor Fernando (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Mar\u00eda no P\u00e9rez Prieto El estudio de los principales aspectos que configuran las capillas musicales salmantinas catedralicia, [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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