{"id":71229,"date":"2018-03-09T23:15:50","date_gmt":"2018-03-09T23:15:50","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/los-origenes-de-la-relacion-entre-el-arte-y-la-tecnologa%c2%ada-en-el-arte-espanol-del-siglo-xx-lugan\/"},"modified":"2018-03-09T23:15:50","modified_gmt":"2018-03-09T23:15:50","slug":"los-origenes-de-la-relacion-entre-el-arte-y-la-tecnologa%c2%ada-en-el-arte-espanol-del-siglo-xx-lugan","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/ciencias-de-las-artes-y-las-letras\/los-origenes-de-la-relacion-entre-el-arte-y-la-tecnologa%c2%ada-en-el-arte-espanol-del-siglo-xx-lugan\/","title":{"rendered":"Los origenes de la relaci\u00f3n entre el arte y la tecnolog\u00eda en el arte espa\u00f1ol del siglo xx. lug\u00e1n."},"content":{"rendered":"<h2>Tesis doctoral de <strong> Juan Gallego Garrido <\/strong><\/h2>\n<p>La tesis se centra en glosar la actividad de luis lug\u00e1n, un artista \u00fanico en el panorama espa\u00f1ol cuyo trabajo se ha centrado en ser capaz de aunar el arte y la tecnolog\u00eda.  para centrar el tema con mayor rigor los dos primeros cap\u00edtulos se dedican a analizar los intentos de incluir la tecnolog\u00eda en el arte, tanto a nivel internacional como en espa\u00f1a, durante la segunda mitad del siglo xx, \u00e9poca en al que lug\u00e1n ha desarrollado su actividad.  en el tercero, n\u00facleo central de este trabajo, se estudia de forma detallada la actividad art\u00edstica de luis lug\u00e1n  a lo largo de toda su carrera y hasta nuestros d\u00edas. Como se\u00f1alaba al principio , el prop\u00f3sito fundamental de esta tesis ha sido analizar su trabajo situ\u00e1ndo en el lugar que se merece dentro el panorama de la pl\u00e1stica espa\u00f1ola de la segunda mitad del siglo xx.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Los origenes de la relaci\u00f3n entre el arte y la tecnolog\u00eda en el arte espa\u00f1ol del siglo xx. lug\u00e1n.<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Los origenes de la relaci\u00f3n entre el arte y la tecnolog\u00eda en el arte espa\u00f1ol del siglo xx. lug\u00e1n. <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Juan Gallego Garrido <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Complutense de Madrid<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 15\/11\/2004<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li> Gonz\u00e1lez Causante Jos\u00e9 M.<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: tom\u00e1s Garc\u00eda asensio <\/li>\n<li>Manuel Recuerdo l\u00f3pez (vocal)<\/li>\n<li>miquel Qu\u00edlez bach (vocal)<\/li>\n<li> Yturralde l\u00f3pez Jos\u00e9 m. (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Juan Gallego Garrido La tesis se centra en glosar la actividad de luis lug\u00e1n, un artista \u00fanico [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[147,3806,1111],"tags":[155287,155286,69766,20287,61951,16837],"class_list":["post-71229","post","type-post","status-publish","format-standard","hentry","category-ciencias-de-las-artes-y-las-letras","category-pintura","category-teoria-analisis-y-critica-de-las-bellas-artes","tag-gonzalez-causante-jose-m","tag-juan-gallego-garrido","tag-manuel-recuerdo-lopez","tag-miquel-quilez-bach","tag-tomas-garcia-asensio","tag-yturralde-lopez-jose-m"],"_links":{"self":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/71229","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/comments?post=71229"}],"version-history":[{"count":0,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/71229\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/media?parent=71229"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/categories?post=71229"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/tags?post=71229"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}