{"id":71579,"date":"2004-01-12T00:00:00","date_gmt":"2004-01-12T00:00:00","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/arquitectura-e-artificio-cassiano-branco-1897-1970\/"},"modified":"2004-01-12T00:00:00","modified_gmt":"2004-01-12T00:00:00","slug":"arquitectura-e-artificio-cassiano-branco-1897-1970","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/historia\/arquitectura-e-artificio-cassiano-branco-1897-1970\/","title":{"rendered":"Arquitectura e artificio. cassiano branco, 1897-1970"},"content":{"rendered":"<h2>Tesis doctoral de <strong> Paulo Alexandre Tormenta Pinto <\/strong><\/h2>\n<p>El pre\u00e1mbulo de arquitectura e artificio, cassiano branco (1897-1970), empieza con una cita de un cuento de jorge luis borges, donde queda en el aire que la historia es la madre de la verdad1. Reflejando en este ejemplo de borges somos motivados a tener en relaci\u00f3n a la historia una posici\u00f3n de \u00abconstructores del pasado\u00bb. De este modo elaborar un trabajo te\u00f3rico sobre cassiano branco, ha sido una oportunidad para \u00abconstruir la historia\u00bb en sus m\u00faltiplas facetas. Investigando alrededor de la vida de este arquitecto e de sus arquitecturas, interpret\u00e1ndolas de manera program\u00e1tica, proponiendo la concepci\u00f3n de otro tiempo.  la argumentaci\u00f3n surge partiendo de una pel\u00edcula sobre el futuro, until the end of  the world, donde wim wenders dirige un viaje por los cuatro cantos del mundo, recolocando personas y lugares, desafiando los limites entre distancia, historia, tragedia y ficci\u00f3n. En una de las cenas supuestamente en mosco, wenders se apodera de una \u00abgrandiosa\u00bb escalera proyectada al inicio de los a\u00f1os 30, para el cine \u00e9den de lisboa por cassiano branco, dejando seducirse por el dinamismo de aquella arquitectura, de peque\u00f1as dimensiones, aunque ilusoriamente grande, que suger\u00eda un juego de perspectivas imposibles tal como en un dibujo de escher. De este modo, \u00abla gran maquina de ver cine, se convierte ella misma en cine&#8230;\u00bb  a trav\u00e9s de la arquitectura de cassiano, podemos entender el puente que une el pasado al deseo de futuro. Su trabajo alcanza un sentido matricial, que posibilita el entendimiento de un discurso sobre la modernidad presente en el cruzamiento de la arquitectura con las derivadas art\u00edsticas, cinematogr\u00e1ficas, pol\u00edticas y sociales, reconociendo-se la obra arquitect\u00f3nica como representaci\u00f3n de un enredo.  sus series de predios urbanos vulgares y todos los otros que fueran copiados por los ingenieros, forman innumeras fachadas urbanas que establecen pedazos coherentes de ciudad con asinalable consist<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Arquitectura e artificio. cassiano branco, 1897-1970<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Arquitectura e artificio. cassiano branco, 1897-1970 <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Paulo Alexandre Tormenta Pinto <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Polit\u00e9cnica de catalunya<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 01\/12\/2004<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Antonio Pizza De Nanno<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal:  Rivero gimeno Jos\u00e9 Mar\u00eda <\/li>\n<li>Alberto Estevez (vocal)<\/li>\n<li>Antonio Armesto aira (vocal)<\/li>\n<li>jacinto Rodrigues (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Paulo Alexandre Tormenta Pinto El pre\u00e1mbulo de arquitectura e artificio, cassiano branco (1897-1970), empieza con una cita [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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