{"id":71726,"date":"2004-10-12T00:00:00","date_gmt":"2004-10-12T00:00:00","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/la-imagen-devocional-en-la-orden-de-nuestra-senora-de-la-merced-tradicion-formacion-continuidad-y-variantes\/"},"modified":"2004-10-12T00:00:00","modified_gmt":"2004-10-12T00:00:00","slug":"la-imagen-devocional-en-la-orden-de-nuestra-senora-de-la-merced-tradicion-formacion-continuidad-y-variantes","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/historia\/la-imagen-devocional-en-la-orden-de-nuestra-senora-de-la-merced-tradicion-formacion-continuidad-y-variantes\/","title":{"rendered":"La imagen devocional en la orden de nuestra se\u00f1ora de la merced: tradici\u00f3n, formaci\u00f3n, continuidad y variantes"},"content":{"rendered":"<h2>Tesis doctoral de <strong>  Zuriaga Senent Vicent Francesc <\/strong><\/h2>\n<p>El concilio de trento ve\u00eda en la devoci\u00f3n a los santos la imitaci\u00f3n de modelos de santidad y con esto abr\u00eda nuevos cauces a la piedad popular. cabe  situar en este momento, la voluntad, de creaci\u00f3n de la imagen devocional de la orden de la merced. La formaci\u00f3n de las im\u00e1genes  es obra de artistas,  que tutelados por los mercedarios, mostrar\u00e1n  en sus obras,  programas iconogr\u00e1ficos con un claro sentido de exaltaci\u00f3n de los valores de la orden.  si la primera mitad del xvii supuso, para la orden de la merced,  el periodo de formaci\u00f3n de la imagen devocional; el tr\u00e1nsito del xvii al xviii  supuso  la continuidad  en  el desarrollo  de las representaciones hagiograficas que dieron justificaci\u00f3n a los programas de im\u00e1genes que contin\u00faan cre\u00e1ndose en  el tardo barroco.  el fundamento de esta tesis se basa, en el estudio de la formaci\u00f3n de la imagen devocional de la orden de la merced,  la cual se configura, entorno a las canonizaciones, en un periodo de tiempo relativamente corto  si atendemos a  la producci\u00f3n hagiogr\u00e1fica anterior de casi cuatrocientos a\u00f1os. Y aunque podemos encontrar algunas manifestaciones ic\u00f3nicas  anteriores,  reducidas a la iconograf\u00eda mariana junto a la que se asocian las im\u00e1genes de los fundadores, es a partir de la segunda mitad del siglo  xvi, y de manera muy significativa desde los inicios del siglo xvii, con las canonizaciones de los santos mercedarios cuando la difusi\u00f3n de la imagen  devocional se concreta en programas hagiogr\u00e1ficos, series pict\u00f3ricas, construcci\u00f3n de altares votivos  y erecci\u00f3n de retablos que expresan a los  santos como modelos de virtud y ejemplos de santidad.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>La imagen devocional en la orden de nuestra se\u00f1ora de la merced: tradici\u00f3n, formaci\u00f3n, continuidad y variantes<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 La imagen devocional en la orden de nuestra se\u00f1ora de la merced: tradici\u00f3n, formaci\u00f3n, continuidad y variantes <\/li>\n<li><strong>Autor:<\/strong>\u00a0  Zuriaga Senent Vicent Francesc <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Universitat de val\u00e9ncia (estudi general)<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 10\/12\/2004<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Rafael Garcia Mahiques<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal:  Gonzalez de zarate y garcia Jes\u00fas Mar\u00eda <\/li>\n<li>reyes Escalera perez (vocal)<\/li>\n<li>alfredo Morales Martinez (vocal)<\/li>\n<li> Garcia arranz Jos\u00e9 julio (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Zuriaga Senent Vicent Francesc El concilio de trento ve\u00eda en la devoci\u00f3n a los santos la imitaci\u00f3n [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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