{"id":71878,"date":"2018-03-09T23:16:38","date_gmt":"2018-03-09T23:16:38","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/nuevos-invariantes-espacio-formales-en-la-arquitectura-contemporanea\/"},"modified":"2018-03-09T23:16:38","modified_gmt":"2018-03-09T23:16:38","slug":"nuevos-invariantes-espacio-formales-en-la-arquitectura-contemporanea","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/ciencias-de-las-artes-y-las-letras\/nuevos-invariantes-espacio-formales-en-la-arquitectura-contemporanea\/","title":{"rendered":"Nuevos invariantes espacio-formales en la arquitectura contempor\u00e1nea."},"content":{"rendered":"<h2>Tesis doctoral de <strong> \u00f3scar Rodr\u00edguez-mora Fern\u00e1ndez <\/strong><\/h2>\n<p>Una alternativa para interpretar y comprender cierta arquitectura contempor\u00e1nea entre los siglos xx y xxi sintetizar\u00eda el enfoque final de este trabajo pues culmina con una interpretaci\u00f3n y caracterizaci\u00f3n de ciertos rasgos formales y espaciales -invariantes- caracter\u00edsticos de algunas arquitecturas actuales. Pero para alcanzar esa posici\u00f3n la tesis emprende un enfoque in\u00e9dito soportado en principios de orden que subyacen en la estructura profunda de la arquitectura y que responden a modelos del mundo derivados de la ciencia como principal logos contempor\u00e1neo; en particular, aquellos que han derivado nuevos modelos de espacios y que  encuentran traducci\u00f3n en geometr\u00edas que los dan forma. Espacio y forma son las dos articulaciones principales en el desarrollo seguido.  nuevos modelos de \u00abespacios\u00bb y \u00abgeometr\u00edas\u00bb desentra\u00f1ados en el arte y luego en la arquitectura subyacen en sus estructuras profundas al entender estos fen\u00f3menos como una representaci\u00f3n de los modelos de orden que explican la realidad de una \u00e9poca. Espacio-tiempo plano, curvo e hiperespacio y sus geometr\u00edas relacionadas: espacio-temporales, no euclidianas y n-dimensionales son transferidos consciente e intuitivamente al mundo de las formas y espacios del arte, en la primera parte de la tesis. El origen y formaci\u00f3n de estos invariantes recorre las vanguardias (cubismo, futurismo, constructivismo, neoplasticismo, etc.) Hasta su codificaci\u00f3n arquitect\u00f3nica en las \u00faltimas d\u00e9cadas.  la adopci\u00f3n de este enfoque deriva en una terminolog\u00eda particular. Dislocaciones, distorsiones, deformaciones, politropismos, hipertropismos, asintotropismos, articulaciones traum\u00e1ticas, etc. Resultan del esfuerzo de caracterizaci\u00f3n pr\u00e1ctica emprendido, cualitativa y cuantitativamente fundamentado en an\u00e1lisis gr\u00e1ficos a partir de las representaciones can\u00f3nicas de las arquitecturas seleccionadas de eisenman, libeskind, coop himmelblau, hadid, gehry, miralles, &#8230;  se res<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Nuevos invariantes espacio-formales en la arquitectura contempor\u00e1nea.<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Nuevos invariantes espacio-formales en la arquitectura contempor\u00e1nea. <\/li>\n<li><strong>Autor:<\/strong>\u00a0 \u00f3scar Rodr\u00edguez-mora Fern\u00e1ndez <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Polit\u00e9cnica de Madrid<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 15\/12\/2004<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Miguel Mart\u00ednez Garrido<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: Mar\u00eda teresa Mu\u00f1oz jim\u00e9nez <\/li>\n<li>Jes\u00fas Bermejo goday (vocal)<\/li>\n<li>Juan  Antonio Cortes vazquez de parga (vocal)<\/li>\n<li>inmaculada Juli\u00e1n gonz\u00e1lez (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de \u00f3scar Rodr\u00edguez-mora Fern\u00e1ndez Una alternativa para interpretar y comprender cierta arquitectura contempor\u00e1nea entre los siglos xx y [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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