{"id":71902,"date":"2018-03-09T23:16:38","date_gmt":"2018-03-09T23:16:38","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/lo-heroico-en-el-cine-de-john-ford\/"},"modified":"2018-03-09T23:16:38","modified_gmt":"2018-03-09T23:16:38","slug":"lo-heroico-en-el-cine-de-john-ford","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/cinematografia\/lo-heroico-en-el-cine-de-john-ford\/","title":{"rendered":"Lo heroico en el cine de john ford"},"content":{"rendered":"<h2>Tesis doctoral de <strong> Ruth Gutierrez  Delgado <\/strong><\/h2>\n<p>Esta investigaci\u00f3n se centra en las caracter\u00edsticas po\u00e9ticas de la dramatizaci\u00f3n del hero\u00edsmo en el cine de john ford. En concreto, se estudia el hero\u00edsmo como una cualidad predicable de la acci\u00f3n. Y as\u00ed no s\u00f3lo es posible hablar de h\u00e9roes de las historias sino de pel\u00edculas heroicas, en la medida en que cada ficci\u00f3n representa una sola acci\u00f3n. En este aspecto, es fundamental la teor\u00eda po\u00e9tica de arist\u00f3teles que entiende a los personajes como elementos de la historia y la ficci\u00f3n como una \u00fanica acci\u00f3n. La tradici\u00f3n de estudios literarios -y la cinematogr\u00e1fica, como heredera- tiende a identificar al protagonista de la historia con el h\u00e9roe. De modo que es posible establecer numerosas relaciones de h\u00e9roes, seg\u00fan la cultura y el tipo de historias que protagonicen. As\u00ed, el hero\u00edsmo se convierte en un concepto relativo a la \u00e9poca y cultura de la que se trate. Sin embargo, en tanto que funci\u00f3n dentro de la creaci\u00f3n po\u00e9tica, el personaje principal no conlleva de suyo ninguna cualidad o valoraci\u00f3n. Esto es, ser protagonista de la historia no implica la bondad o maldad de sus actos. Es m\u00e1s, como cualidad de la acci\u00f3n, lo heroico implica un movimiento que s\u00f3lo es posible observar en el transcurso del drama -en este caso, cinematogr\u00e1fico. De manera que tan s\u00f3lo es posible calificar como h\u00e9roe a un personaje, o a una pel\u00edcula, en su conjunto, una vez transcurrida la acci\u00f3n, al final de la historia. Por ello, es necesario distinguir ambos conceptos, a fin de clarificar qu\u00e9 caracteriza a un h\u00e9roe y evitar falsas identificaciones con l\u00edderes, mitos, etc.   Esto es lo que ponen de relieve los an\u00e1lisis realizados sobre gran parte de la filmografia fordiana. Adem\u00e1s de una sistematizaci\u00f3n de las caracter\u00edsticas del estilo fordiano, en especial, de la \u00e9pica fordiana, se ofrece un tipo de an\u00e1lisis \u00abpanor\u00e1mico\u00bb de la acci\u00f3n, donde se tiene en cuenta, entre otros asuntos, la correlaci\u00f3n antropol\u00f3gica natural entre los mundos posibles representados y el mundo real.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Lo heroico en el cine de john ford<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Lo heroico en el cine de john ford <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Ruth Gutierrez  Delgado <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Navarra<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 15\/12\/2004<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>noblejas Liniers Garc\u00eda<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: javier Fernandez del moral <\/li>\n<li>pablo Echart orus (vocal)<\/li>\n<li>Jos\u00e9 \u00e1ngel Cort\u00e9s lahera (vocal)<\/li>\n<li>Antonio S\u00e1nchez-escalonilla Garc\u00eda-rico (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Ruth Gutierrez Delgado Esta investigaci\u00f3n se centra en las caracter\u00edsticas po\u00e9ticas de la dramatizaci\u00f3n del hero\u00edsmo en [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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