{"id":71908,"date":"2018-03-09T23:16:38","date_gmt":"2018-03-09T23:16:38","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/el-cine-de-desencantafilosofia-y-estetica-de-la-crisis-de-sentido-en-el-cine-contemporaneo\/"},"modified":"2018-03-09T23:16:38","modified_gmt":"2018-03-09T23:16:38","slug":"el-cine-de-desencantafilosofia-y-estetica-de-la-crisis-de-sentido-en-el-cine-contemporaneo","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/ciencias-de-las-artes-y-las-letras\/el-cine-de-desencantafilosofia-y-estetica-de-la-crisis-de-sentido-en-el-cine-contemporaneo\/","title":{"rendered":"El cine de desencanta,filosofia y estetica de la crisis de sentido en el cine contemporaneo."},"content":{"rendered":"<h2>Tesis doctoral de <strong> Pablo Corro Penjean <\/strong><\/h2>\n<p>La tesis identifica y fundamenta a trav\u00e9s de la filosof\u00eda dela existencia y de pensamiento est\u00e9ticos post estructuralista la formaci\u00f3n de un relato cinematograf\u00edco singular representativo de la crisis contempor\u00e1nea de las significaciones. En la investigaci\u00f3n se relacionan gen\u00e9ticamente al cine con la filosof\u00eda de la existencia a trav\u00e9s de la intenci\u00f3n fenomelol\u00f3gica y de la crisis de la metaf\u00edsica y a trav\u00e9s de la prioridad ontol\u00f3gica que ambas confieren a las apariencias , se considera el destino est\u00e9tico del pensamiento contempor\u00e1neo  y la dominante visual de la cultura.  el modelo dram\u00e1tico de este cine marcado por la crisis de la acci\u00f3n y ambig\u00ed\u00bcedad del punto de vista y la expresi\u00f3n indirecta son interpretadas como traslaci\u00f3n posmoderna de la cultura del relato a la imagen , como momento del espiritu.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>El cine de desencanta,filosofia y estetica de la crisis de sentido en el cine contemporaneo.<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 El cine de desencanta,filosofia y estetica de la crisis de sentido en el cine contemporaneo. <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Pablo Corro Penjean <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Barcelona<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 16\/12\/2004<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Agustin Gonzalez Gallego<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: Miguel Morey farr\u00e9 <\/li>\n<li>Jos\u00e9 Mar\u00eda Caparr\u00f3s lera (vocal)<\/li>\n<li>victoria Camps cervera (vocal)<\/li>\n<li>jacinto Luis Choza armenta (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Pablo Corro Penjean La tesis identifica y fundamenta a trav\u00e9s de la filosof\u00eda dela existencia y de [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[951,147,10452,165,1111],"tags":[1083,10848,7492,8506,156534,32929],"class_list":["post-71908","post","type-post","status-publish","format-standard","hentry","category-barcelona","category-ciencias-de-las-artes-y-las-letras","category-estetica","category-filosofia","category-teoria-analisis-y-critica-de-las-bellas-artes","tag-agustin-gonzalez-gallego","tag-jacinto-luis-choza-armenta","tag-jose-maria-caparros-lera","tag-miguel-morey-farre","tag-pablo-corro-penjean","tag-victoria-camps-cervera"],"_links":{"self":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/71908","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/comments?post=71908"}],"version-history":[{"count":0,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/71908\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/media?parent=71908"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/categories?post=71908"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/tags?post=71908"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}