{"id":72272,"date":"2018-03-09T23:17:02","date_gmt":"2018-03-09T23:17:02","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/el-aspecto-transcendente-en-la-prosa-de-giuseppe-bonaviri\/"},"modified":"2018-03-09T23:17:02","modified_gmt":"2018-03-09T23:17:02","slug":"el-aspecto-transcendente-en-la-prosa-de-giuseppe-bonaviri","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/ciencias-de-las-artes-y-las-letras\/el-aspecto-transcendente-en-la-prosa-de-giuseppe-bonaviri\/","title":{"rendered":"El aspecto transcendente en la prosa de giuseppe bonaviri"},"content":{"rendered":"<h2>Tesis doctoral de <strong> Delia Mar\u00eda Sagastegui Urteaga <\/strong><\/h2>\n<p>La investigaci\u00f3n comienza con el tratamiento de la figura y de la obra de giseppe bonaviri para descubrir el aspecto trascendente que podr\u00eda existir en la literatura del autor. En el primer cap\u00edtulo se trata de la biograf\u00eda del escritor y de sus diferentes obras en prosa, poes\u00eda, teatro y ensayo, as\u00ed como el examen de las diferentes cr\u00edticas que se le han hecho. En el segundo cap\u00edtulo se han estudiado los s\u00edmbolos y las visiones cosmol\u00f3gicas encontradas en sus escritos. En el tercero, la visi\u00f3n religiosa que bonaviri presenta en su prosa explorando las principales religiones presentes en su pensamiento, descubriendo lo sagrado en la naturaleza, en la contemplaci\u00f3n \u00edntima del hombre y en las mediaciones que se han dado a lo largo de la historia: personas y cosas como mitos y narraciones, ritos y fiestas, moral y oraci\u00f3n. Por \u00faltimo se presentan las conclusiones a las que la investigaci\u00f3n ha llegado.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>El aspecto transcendente en la prosa de giuseppe bonaviri<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 El aspecto transcendente en la prosa de giuseppe bonaviri <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Delia Mar\u00eda Sagastegui Urteaga <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Murcia<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 14\/01\/2005<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Pedro Luis Ladr\u00f3n De Guevara Mellado<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal:  Trigueros cano jos Antonio <\/li>\n<li>dani Leuwens (vocal)<\/li>\n<li>carmen Escudero Martinez (vocal)<\/li>\n<li>sarah Zapulla moscala (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Delia Mar\u00eda Sagastegui Urteaga La investigaci\u00f3n comienza con el tratamiento de la figura y de la obra [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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