{"id":72445,"date":"2018-03-09T23:17:14","date_gmt":"2018-03-09T23:17:14","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/la-improvisacion-como-espectaculo-principales-experiencias-y-tecnicas-aplicadas-a-la-formacion-del-actor-improvisador-en-la-seunda-mitad-del-siglo-xx\/"},"modified":"2018-03-09T23:17:14","modified_gmt":"2018-03-09T23:17:14","slug":"la-improvisacion-como-espectaculo-principales-experiencias-y-tecnicas-aplicadas-a-la-formacion-del-actor-improvisador-en-la-seunda-mitad-del-siglo-xx","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/teatro\/la-improvisacion-como-espectaculo-principales-experiencias-y-tecnicas-aplicadas-a-la-formacion-del-actor-improvisador-en-la-seunda-mitad-del-siglo-xx\/","title":{"rendered":"La improvisaci\u00f3n como espect\u00e1culo: principales experiencias y t\u00e9cnicas aplicadas a la formaci\u00f3n del actor-improvisador en la seunda mitad del siglo xx"},"content":{"rendered":"<h2>Tesis doctoral de <strong> Mar\u00eda na Lima E Muniz <\/strong><\/h2>\n<p>La improvisacion como espectaculo: principales experiencia y tecnicas aplicadas a la formaci\u00f3n del actor improvisador en la segunda mitad del siglo xx la presente tesis surge de mi experiencia como actriz improvisadora de match de improvisaci\u00f3n junto a la liga de improvisaci\u00f3n madrile\u00f1a. Sus objetivos fueron los de describir y analizar las principales experiencias en la pr\u00e1ctica de la improvisaci\u00f3n en la segunda mitad del siglo xx y sistematizar una metodolog\u00eda de ense\u00f1anza del actor improvisador.  a lo largo de esta investigaci\u00f3n, hemos podido comprobar que la improvisaci\u00f3n como espect\u00e1culo posee una larga trayectoria en la historia del teatro occidental desde los mismos romanos hasta la actualidad. En la contemporaneidad obedece a una necesidad de valoraci\u00f3n del presente y de la velocidad en la transmisi\u00f3n de la informaci\u00f3n, reduciendo el lapsus de tiempo entre la creaci\u00f3n y la representaci\u00f3n teatral.  en definitiva esta tesis quisiera contribuir al estudio de la improvisaci\u00f3n como espect\u00e1culo tanto en el entorno acad\u00e9mico, como en el medio art\u00edstico profesional.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>La improvisaci\u00f3n como espect\u00e1culo: principales experiencias y t\u00e9cnicas aplicadas a la formaci\u00f3n del actor-improvisador en la seunda mitad del siglo xx<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 La improvisaci\u00f3n como espect\u00e1culo: principales experiencias y t\u00e9cnicas aplicadas a la formaci\u00f3n del actor-improvisador en la seunda mitad del siglo xx <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Mar\u00eda na Lima E Muniz <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Alcal\u00e1<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 24\/01\/2005<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Angel Berenguer Castellary<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: Jos\u00e9 nicolas Romera castillo <\/li>\n<li>Manuel Diago moncholi (vocal)<\/li>\n<li>Jos\u00e9 \u00e1ngel G\u00f3mez fuentes (vocal)<\/li>\n<li>Manuel Perez jimenez (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Mar\u00eda na Lima E Muniz La improvisacion como espectaculo: principales experiencia y tecnicas aplicadas a la formaci\u00f3n [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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