{"id":72738,"date":"2018-03-09T23:17:33","date_gmt":"2018-03-09T23:17:33","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/poeta-en-nueva-york-de-federico-garca%c2%ada-lorca-y-las-artes-plasticas\/"},"modified":"2018-03-09T23:17:33","modified_gmt":"2018-03-09T23:17:33","slug":"poeta-en-nueva-york-de-federico-garca%c2%ada-lorca-y-las-artes-plasticas","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/ciencias-de-las-artes-y-las-letras\/poeta-en-nueva-york-de-federico-garca%c2%ada-lorca-y-las-artes-plasticas\/","title":{"rendered":"Poeta en nueva york de federico garc\u00edalorca y las artes pl\u00e1sticas."},"content":{"rendered":"

Tesis doctoral de Antonio Garc\u00eda Carpio <\/strong><\/h2>\n

El estudio comienza introduci\u00e9ndose en la obra, y trata del por qu\u00e9 no todos los poemas que lorca escribi\u00f3 en \u00abnew york\u00bb no fueron elegidos para ser publicados dentro de la obra \u00abpoeta en nueva york\u00bb, debido a que lorca los dividi\u00f3 en 2 libros, \u00abpoeta en nueva york\u00bb y \u00abtierra y luna\u00bb. Paso despu\u00e9s a explicar los objetivos, y m\u00e1s tarde la vida del autor y su estancia en usa y en cuba, para situar la obra en la trayectoria biogr\u00e1fica. * aclaraciones sobre la historia de la obra y c\u00f3mo pude obtener los textos de 1940. Las diferentes puntuaciones de estas dos versiones, la de humphries y la de s\u00e9neca (bergam\u00edn), su historia y cuadros comparativos que expresan mejor el texto final y el por qu\u00e9 eleg\u00ed la versi\u00f3n \u00abpoeta en nueva york\u00bb de la colecci\u00f3n austral, espa\u00f1a-calpe, s.A., Edici\u00f3n 1975. * las ilustraciones de las obras: las de la versi\u00f3n de s\u00e9neca, y un estudio de las fotograf\u00edas que ten\u00edan que ilustrar el texto de humphries. contin\u00faa despu\u00e9s sobre la organizaci\u00f3n, el estilo y estructura del texto. * tambi\u00e9n se trata y se considera: – el contenido socio-pol\u00edtico de la obra. – la homosexualidad y simbolismo en el texto. – lorca primero cantor de gitanos y despu\u00e9s de negros. – mi b\u00fasqueda de los documentos en diferentes universidades: ee.Uu. Y bibliotecas en cuba. * comentario de los poemas m\u00e1s representativos y algunos esquemas. * explicaci\u00f3n de las cinco pel\u00edculas en tres casets de v\u00eddeo donde se pueden ver los documentales y la explicaci\u00f3n en ingl\u00e9s de la historia de new york. * concluyendo el estudio de la tesis y comentando las diferentes secciones de los poemas escritos en la obra de lorca. * finalmente, la bibliograf\u00eda.<\/p>\n

 <\/p>\n

Datos acad\u00e9micos de la tesis doctoral \u00abPoeta en nueva york de federico garc\u00edalorca y las artes pl\u00e1sticas.<\/strong>\u00ab<\/h3>\n
    \n
  • T\u00edtulo de la tesis:<\/strong>\u00a0 Poeta en nueva york de federico garc\u00edalorca y las artes pl\u00e1sticas. <\/li>\n
  • Autor:<\/strong>\u00a0 Antonio Garc\u00eda Carpio <\/li>\n
  • Universidad:<\/strong>\u00a0 Polit\u00e9cnica de Valencia<\/li>\n
  • Fecha de lectura de la tesis:<\/strong>\u00a0 16\/02\/2005<\/li>\n<\/ul>\n

     <\/p>\n

    Direcci\u00f3n y tribunal<\/h3>\n
      \n
    • Director de la tesis<\/strong>\n
        \n
      • Pedro J. De La Pe\u00f1a De La Pe\u00f1a<\/li>\n<\/ul>\n<\/li>\n
      • Tribunal<\/strong>\n
          \n
        • Presidente del tribunal: Soto ar\u00e1ndiga ram\u00f3n de <\/li>\n
        • Lopez casanova arcadio Jos\u00e9 Mar\u00eda (vocal)<\/li>\n
        • Catalan gonzalez Miguel Francisco (vocal)<\/li>\n
        • Dura grimalt ra\u00fal avelino (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n

           <\/p>\n","protected":false},"excerpt":{"rendered":"

          Tesis doctoral de Antonio Garc\u00eda Carpio El estudio comienza introduci\u00e9ndose en la obra, y trata del por qu\u00e9 no todos […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[148,147,16820,628],"tags":[158073,158075,158076,158074,126291,59954],"class_list":["post-72738","post","type-post","status-publish","format-standard","hentry","category-analisis-literario","category-ciencias-de-las-artes-y-las-letras","category-politecnica-de-valencia","category-teoria-analisis-y-critica-literarios","tag-antonio-garcia-carpio","tag-catalan-gonzalez-miguel-francisco","tag-dura-grimalt-raul-avelino","tag-lopez-casanova-arcadio-jose-maria","tag-pedro-j-de-la-pena-de-la-pena","tag-soto-arandiga-ramon-de"],"_links":{"self":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/72738","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/comments?post=72738"}],"version-history":[{"count":0,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/72738\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/media?parent=72738"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/categories?post=72738"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/tags?post=72738"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}