{"id":72903,"date":"2018-03-09T23:17:47","date_gmt":"2018-03-09T23:17:47","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/felix-granda-buylla-y-talleres-de-arte-un-siglo-de-arte-sacro-en-asturias\/"},"modified":"2018-03-09T23:17:47","modified_gmt":"2018-03-09T23:17:47","slug":"felix-granda-buylla-y-talleres-de-arte-un-siglo-de-arte-sacro-en-asturias","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/historia\/felix-granda-buylla-y-talleres-de-arte-un-siglo-de-arte-sacro-en-asturias\/","title":{"rendered":"F\u00e9lix granda buylla y talleres de arte; un siglo de arte sacro en asturias"},"content":{"rendered":"<h2>Tesis doctoral de <strong> Gerardo Diaz Quiros <\/strong><\/h2>\n<p>Se analiza en este estudio la figura y obra art\u00edstica de f\u00e9lix granda buylla (pola de lena 1868, Madrid, 1954), as\u00ed como la historia y evoluci\u00f3n de los talleres que fundar\u00e1 en Madrid: todo ello en el marco del arte sacro espa\u00f1ol del siglo xx.  se articula la tesis doctoral en tres tomos mas un cd como anexo gr\u00e1fico.  se perfila en el primer tomo la situaci\u00f3n de la iglesia en espa\u00f1a en el siglo xx, as\u00ed como cuestiones en torno al car\u00e1cter de los sacro, la evoluci\u00f3n hist\u00f3rica de la liturgia en el \u00faltimo siglo y sus implicaciones art\u00edsticas, dedicando el siguiente a trazar el panorama del arte sacro en espa\u00f1a. Cap\u00edtulo independiente recoge la biograf\u00eda art\u00edstica de f\u00e9lix granda buylla, sus planteamientos te\u00f3ricos respecto al arte, su faceta de pintor, sus consideraciones respecto a la escultura y su trabajo en el \u00e1mbito de la orfebrer\u00eda. El estudio de los talleres dirigidos por granda y que a partir de 1913 fueran considerados como sociedad mercantil, revisando secciones y maestros que lo integra, as\u00ed como la forma de trabajo en los mismos y dando cuenta de las obras m\u00e1s destacadas de cuentas realizan a trav\u00e9s del tiempo.  aunque se han intercalado algunas l\u00e1minas en el texto para facilitar la comprensi\u00f3n de determinados aspectos, se adjunta una colecci\u00f3n de im\u00e1genes en soporte inform\u00e1tico como complemento gr\u00e1fico.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>F\u00e9lix granda buylla y talleres de arte; un siglo de arte sacro en asturias<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 F\u00e9lix granda buylla y talleres de arte; un siglo de arte sacro en asturias <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Gerardo Diaz Quiros <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Oviedo<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 25\/02\/2005<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li> Morales Saro M. Cruz<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: Mar\u00eda  soledad Alvarez Martinez <\/li>\n<li>crist\u00f3bal Belda navarro (vocal)<\/li>\n<li>concepcion Garcia gainza (vocal)<\/li>\n<li> \u00e1lvarez fern\u00e1ndez lusi mario Javier (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Gerardo Diaz Quiros Se analiza en este estudio la figura y obra art\u00edstica de f\u00e9lix granda buylla [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[104,1014,222,8846],"tags":[158391,12862,4050,158390,8860,25257],"class_list":["post-72903","post","type-post","status-publish","format-standard","hentry","category-historia","category-historia-del-arte","category-historias-especializadas","category-oviedo","tag-alvarez-fernandez-lusi-mario-javier","tag-concepcion-garcia-gainza","tag-cristobal-belda-navarro","tag-gerardo-diaz-quiros","tag-maria-soledad-alvarez-Martinez","tag-morales-saro-m-cruz"],"_links":{"self":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/72903","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/comments?post=72903"}],"version-history":[{"count":0,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/72903\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/media?parent=72903"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/categories?post=72903"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/tags?post=72903"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}