{"id":73103,"date":"2005-09-03T00:00:00","date_gmt":"2005-09-03T00:00:00","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/la-parroquia-moderna-en-espana-vitoria-como-aproximacion-cra%c2%adtica\/"},"modified":"2005-09-03T00:00:00","modified_gmt":"2005-09-03T00:00:00","slug":"la-parroquia-moderna-en-espana-vitoria-como-aproximacion-cra%c2%adtica","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/arquitectura\/la-parroquia-moderna-en-espana-vitoria-como-aproximacion-cra%c2%adtica\/","title":{"rendered":"La parroquia moderna en espa\u00f1a. vitoria como aproximaci\u00f3n cr\u00edtica"},"content":{"rendered":"<h2>Tesis doctoral de <strong> Imanol Carlos Garcia De Albeniz <\/strong><\/h2>\n<p>#titulo: la parroquia moderna en espa\u00f1a. Vitoria como aproximaci\u00f3n cr\u00edtica  resumen: el texto se separa en dos partes: el caso de vitoria narra y analiza los acontecimientos acaecidos en la capital vasca en los a\u00f1os sesenta. El cap\u00edtulo i arranca en 1957, con la labor del obispo peralta: han nacido las nuevas parroquias de vitoria, cuatro obras son llevados a la mesa de disecci\u00f3n cr\u00edtica. El cap\u00edtulo ii, la evoluci\u00f3n en los a\u00f1os sesenta muestra las parroquias que surgen despu\u00e9s: san ignacio, san pablo, san jos\u00e9 obrero, santa mana de bel\u00e9n, san mateo y san francisco de as\u00eds. Por \u00faltimo, se muestra la evoluci\u00f3n  tipol\u00f3gica y la adecuaci\u00f3n a los est\u00e1ndares pastorales. La segunda parte, la parroquia moderna en espa\u00f1a, tiene en tres partes. En el cap\u00edtulo iii, g\u00e9nesis arquitect\u00f3nica de la parroquia moderna, se analiza la transformaci\u00f3n que experimenta el espacio celebrativo tras el concilio vaticano ii. El cap\u00edtulo iv, imagen del templo urbano, exhibe c\u00f3mo la parroquia cambia radicalmente su aspecto: surge la iglesia de barrio, una nueva figura que aglutina la labor cultual con la pastoral, los nuevos materiales, su presencia entre bloques, residenciales, la colaboraci\u00f3n interdisciplinar con artistas, incluso la opini\u00f3n de cl\u00e9rigos y urbanistas. En \u00faltimo lugar se muestra el cap\u00edtulo la arquitectura del misterio. Espacio y luz, y presenta al templo cristiano como un recinto evocador de lo trascendente, un umbral entre la experiencia religiosa del culto y la creencia personal; as\u00ed, la herramienta moderna y la posibilidad tecnol\u00f3gica ser\u00e1 exprimida a favor esta opci\u00f3n imposible, siempre sujeta al recurso de la luz<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>La parroquia moderna en espa\u00f1a. vitoria como aproximaci\u00f3n cr\u00edtica<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 La parroquia moderna en espa\u00f1a. vitoria como aproximaci\u00f3n cr\u00edtica <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Imanol Carlos Garcia De Albeniz <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Navarra<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 09\/03\/2005<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Mar\u00eda no Jos\u00e9 Gonz\u00e1lez Presencio<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: Juan  Miguel Ochotorena elicegui <\/li>\n<li>Carlos de San Antonio  gomez (vocal)<\/li>\n<li>Mar\u00eda  paloma Gil gim\u00e9nez (vocal)<\/li>\n<li>eduardo Carazo lefort (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Imanol Carlos Garcia De Albeniz #titulo: la parroquia moderna en espa\u00f1a. Vitoria como aproximaci\u00f3n cr\u00edtica resumen: el [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[4509,17749],"tags":[158769,149899,158767,158768,16361,158770],"class_list":["post-73103","post","type-post","status-publish","format-standard","hentry","category-arquitectura","category-navarra","tag-carlos-de-san-antonio-gomez","tag-eduardo-carazo-lefort","tag-imanol-carlos-garcia-de-albeniz","tag-juan-miguel-ochotorena-elicegui","tag-maria-no-jose-gonzalez-presencio","tag-maria-paloma-gil-gimenez"],"_links":{"self":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/73103","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/comments?post=73103"}],"version-history":[{"count":0,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/73103\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/media?parent=73103"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/categories?post=73103"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/tags?post=73103"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}