{"id":73189,"date":"2018-03-09T23:18:02","date_gmt":"2018-03-09T23:18:02","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/la-escultura-publica-en-el-casco-urbano-de-madrid-1980-2000\/"},"modified":"2018-03-09T23:18:02","modified_gmt":"2018-03-09T23:18:02","slug":"la-escultura-publica-en-el-casco-urbano-de-madrid-1980-2000","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/ciencias-de-las-artes-y-las-letras\/la-escultura-publica-en-el-casco-urbano-de-madrid-1980-2000\/","title":{"rendered":"La escultura p\u00fablica en el casco urbano de Madrid 1980-2000"},"content":{"rendered":"<h2>Tesis doctoral de <strong>  Monte Sacrist\u00e1n M. Antonia <\/strong><\/h2>\n<p>Con esta tesis se logra un panorama informativo,claro y exhaustivo respecto a la escultura realizada en los 20 a\u00f1os abarcados (1980-2000)en el casco urbano de Madrid.  el aparato conceptual de esta tesis enriquece al cat\u00e1logo-fichero realizado en la misma.  las obras estudiadas son estrictamente escult\u00f3ricas y est\u00e1n comprendidas en un espacio predeterminado por el hecho claro de que la mayor\u00eda de este \u00abg\u00e9nero\u00bb se halla en los espacios p\u00fablicos que pertenecen al ayuntamiento de Madrid.Por lo tanto,el espacio o campo de trabajo es en \u00e1mbito municipal madrile\u00f1o , sin renunciar a incluir ciertas obras que no son de estricta pertenecia municipal, siempre que se hallen en espacios p\u00fablicos.  se constata que se dan circustancias nuevas por primera vez en esos 20 a\u00f1os, que aportan focos de inter\u00e9s y puntos de vista y consideraciones no tocados antes.Tales como la extensi\u00f3n del arte abstracto a este campo; el desplazamiento de la tem\u00e1tica al campo de lo cotidiano lo socio-pol\u00edtico actual, en una especie de democratizaci\u00f3n del arte p\u00fablico(escultura sin pedestal); la aparici\u00f3n y la atenci\u00f3n est\u00e9tica municipal a zonas perif\u00e9ricas de la ciudad que hasta esas fechas eran hu\u00e9rfanas del mismo, y la ampliaci\u00f3n de un concepto nuevo no s\u00f3lo en la escultura en s\u00ed,sino incluso en sus elementos acompa\u00f1antes (desaparici\u00f3n de verjas , l\u00edmites y, sobre todo , pedestales).<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>La escultura p\u00fablica en el casco urbano de Madrid 1980-2000<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 La escultura p\u00fablica en el casco urbano de Madrid 1980-2000 <\/li>\n<li><strong>Autor:<\/strong>\u00a0  Monte Sacrist\u00e1n M. Antonia <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Complutense de Madrid<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 14\/03\/2005<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Antonio Zarco Fortes<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal:  Casas gomez Jos\u00e9 de las <\/li>\n<li>eduardo Capa sacrist\u00e1n (vocal)<\/li>\n<li>Manuel Parralo dorado (vocal)<\/li>\n<li> Nieto alcaide v\u00edctor Manuel (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Monte Sacrist\u00e1n M. Antonia Con esta tesis se logra un panorama informativo,claro y exhaustivo respecto a la [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[147,4363,1111],"tags":[11318,59955,158936,6562,158935,5273],"class_list":["post-73189","post","type-post","status-publish","format-standard","hentry","category-ciencias-de-las-artes-y-las-letras","category-escultura","category-teoria-analisis-y-critica-de-las-bellas-artes","tag-antonio-zarco-fortes","tag-casas-gomez-jose-de-las","tag-eduardo-capa-sacristan","tag-manuel-parralo-dorado","tag-monte-sacristan-m-antonia","tag-nieto-alcaide-victor-manuel"],"_links":{"self":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/73189","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/comments?post=73189"}],"version-history":[{"count":0,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/73189\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/media?parent=73189"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/categories?post=73189"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/tags?post=73189"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}