{"id":74047,"date":"2018-03-09T23:19:02","date_gmt":"2018-03-09T23:19:02","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/la-biblia-de-avila\/"},"modified":"2018-03-09T23:19:02","modified_gmt":"2018-03-09T23:19:02","slug":"la-biblia-de-avila","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/historia\/la-biblia-de-avila\/","title":{"rendered":"La biblia de \u00e1vila"},"content":{"rendered":"<h2>Tesis doctoral de <strong> Mar\u00eda Rodr\u00edguez Velasco <\/strong><\/h2>\n<p>La biblia de \u00e1vila (biblioteca nacional, Madrid, vit. 15-1) es un manuscrito italiano, realizado con toda probabilidad en la escuela umbro romana hacia 1160-1170, cuyo texto y decoraci\u00f3n se completan tras la llegada del c\u00f3dice a esp\u00f1a.  la tesis parte de una valoraci\u00f3n general de la biblia entre los manuscritos mon\u00e1sticos y episcopales del siglo xii para centrarse despu\u00e9s en dos bloques diferenciados que responden a la parte italiana y a la espa\u00f1ola. Respecto a la primera, se ha realizado un estudio comparativo con otros c\u00f3dices coet\u00e1neos consultados en las bibliotecas de roma, mil\u00e1n, trento y tur\u00edn para trazar la evoluci\u00f3n del estilo geom\u00e9trico dominante en la parte italiana de la biblia de \u00e1vila, desde sus precedentes en el contexto del as biblias atl\u00e1nticas hasta las obras adscritas al mismo taller del manuscrito abulense y las que reciben su m\u00e1s directa influencia; especialmente en los centros de roma y mil\u00e1n.  partiendo de un an\u00e1lisis pormenorizado de las iniciales de la biblia la tesis se completa con una comparaci\u00f3n de las figuras y elementos decorativos del manuscrito con ciertos conjuntos de pintura mural romana para reforzar la vinculaci\u00f3n del origen de la biblia a dicha escuela, en el marco de la reforma de gregorio vii. En parimer bloque termina con el estudio pormenorizado de  las iniciales que completan la decoraci\u00f3n de la parte italiana de la biblia de \u00e1vila.  el segundo gran bloque se centra en las iniciales y escenas a\u00f1adidas a la llegada  del c\u00f3dice a la catedral de \u00e1vila, posiblemente a partir de 1175. Para contextualizar esta miniatura se profundiza en la particular situaci\u00f3n hist\u00f3rica de la catedral que vive una reconstrucci\u00f3n art\u00edstica muy notable a finales del siglo xii. Se plantea c\u00f3mo la iconograf\u00eda seleccionada para las escenas de antiguo y nuevo testamento parece hacerse eco de esta situaci\u00f3n hist\u00f3rica, adem\u00e1s de mostrar una orientaci\u00f3n lit\u00fargica. Al igual que en la part<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>La biblia de \u00e1vila<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 La biblia de \u00e1vila <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Mar\u00eda Rodr\u00edguez Velasco <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Complutense de Madrid<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 20\/05\/2005<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Ines Ruiz Montejo<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: Jes\u00fas Mar\u00eda Caama\u00f1o Martinez <\/li>\n<li>dulce Mar\u00eda Ocon alonso (vocal)<\/li>\n<li> Fernandez gonzalez m. etelvina (vocal)<\/li>\n<li>Elena Sainz magana (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Mar\u00eda Rodr\u00edguez Velasco La biblia de \u00e1vila (biblioteca nacional, Madrid, vit. 15-1) es un manuscrito italiano, realizado [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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