{"id":74144,"date":"2018-03-09T23:19:06","date_gmt":"2018-03-09T23:19:06","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/desde-la-vida-al-poema-una-indagacion-sobre-la-esencia-de-la-poesa%c2%ada\/"},"modified":"2018-03-09T23:19:06","modified_gmt":"2018-03-09T23:19:06","slug":"desde-la-vida-al-poema-una-indagacion-sobre-la-esencia-de-la-poesa%c2%ada","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/historia\/desde-la-vida-al-poema-una-indagacion-sobre-la-esencia-de-la-poesa%c2%ada\/","title":{"rendered":"Desde la vida al poema. una indagaci\u00f3n sobre la esencia de la poes\u00eda"},"content":{"rendered":"<h2>Tesis doctoral de <strong> Alvaro Garcia Lopez <\/strong><\/h2>\n<p>La poes\u00eda es tan indefinible en apariencia como definible en su proceso. se ha concretado la tesis en el proceso de interpretaci\u00f3n de la vivencia en el poema. Para indagar en la naturaleza de esa interpretaci\u00f3n el trabajo se divide en siete cap\u00edtulos que desgranan la idea de \u00abtotalidad\u00bb de la vivencia y los obst\u00e1culos que encuentran en la tensi\u00f3n que ejerce lo vital previo. Tambi\u00e9n, el est\u00edmulo que la circunstancia brinda por el hecho de ser circunstancia: aprehensi\u00f3n de lo real como material o como instrumento que se integra con otros ingredientes estrictamente ling\u00ed\u00bc\u00edsticos. La conclusi\u00f3n es que la poes\u00eda, m\u00e1s que ser copia o acta o expresi\u00f3n de la vida y sus sentimientos, tiene el procedimientos de lo vivo -aparici\u00f3n y desaparici\u00f3n; fugacidad; energ\u00eda que se transforma- el horizonte de su propio procedimiento, que le abre visi\u00f3n y la configura como realidad art\u00edstica aut\u00f3noma.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Desde la vida al poema. una indagaci\u00f3n sobre la esencia de la poes\u00eda<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Desde la vida al poema. una indagaci\u00f3n sobre la esencia de la poes\u00eda<\/li>\n<li><strong>Autor:<\/strong>\u00a0 Alvaro Garcia Lopez <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Murcia<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 26\/05\/2005<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Eloy S\u00e1nchez Rosillo<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: Francisco jose Diaz de castro <\/li>\n<li> D\u00edaz de guere\u00f1u Juan  Manuel (vocal)<\/li>\n<li>Francisco Javier Diez de revenga torres (vocal)<\/li>\n<li>Antonio Jim\u00e9nez millan (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Alvaro Garcia Lopez La poes\u00eda es tan indefinible en apariencia como definible en su proceso. se ha 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