{"id":74381,"date":"2005-06-06T00:00:00","date_gmt":"2005-06-06T00:00:00","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/la-recepcion-primaria-de-signos-teatrales-estudio-longitudinal-de-dos-casos-grupales\/"},"modified":"2005-06-06T00:00:00","modified_gmt":"2005-06-06T00:00:00","slug":"la-recepcion-primaria-de-signos-teatrales-estudio-longitudinal-de-dos-casos-grupales","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/teatro\/la-recepcion-primaria-de-signos-teatrales-estudio-longitudinal-de-dos-casos-grupales\/","title":{"rendered":"La recepcion primaria de signos teatrales. estudio longitudinal de dos casos grupales"},"content":{"rendered":"<h2>Tesis doctoral de <strong> Francisco Gonzalez De Tena <\/strong><\/h2>\n<p>Esta tesis doctoral trata sobre las estrategias cognitivas que os ni\u00f1os utilizan al enfrentarse con est\u00edmulos est\u00e9ticos, m\u00e1s concretamente frente a los signos teatrales no espec\u00edficos, es decir, no dise\u00f1ados en principio como elementos para un teatro infantil como producto comercial. expresamente la tesis trata de demostrar que el teatro es algo mucho m\u00e1s que un simple produicto de un mercado segmentado, desde este punto de vista de la recepci\u00f3n cualitativa y con una metodolog\u00eda propia de una sociedad teatral. Para ello se recurre a unc ampo poco adulterado en las formas de acceder a los aspectos simb\u00f3licos de espect\u00e1culos teatrales, como son los ni\u00f1os en la edad cr\u00edtica de configuraci\u00f3n precisamente de ese mundo simb\u00f3lico. La tesis se opone de forma concreta a la teor\u00eda del gusto &#8211; como \u00fanico referente en lso an\u00e1lisis de los p\u00fablicos- desarrollada por el soci\u00f3logo franc\u00e9s pierre bourdieu, y como hip\u00f3tesis alternativa la tesis apuesta por la teor\u00eda de los <mediadores de \u00e1ngel berenguer, con mayor \u00e9nfasis en el contexto y en la consideraci\u00f3n pagm\u00e1tica de la interacci\u00f3n significante entre creadores y recreadores, es decir, los p\u00fablicos no estructurados de forma r\u00edgida. En una sociedad multicultural este enfoque parece el \u00fanico f\u00e9rtil, si se quieren concoer los gustos cambiantes de los p\u00fablicos, en este caso del teatro. las artes esc\u00e9nicas, y en especial el teatro, son de entre las creaciones art\u00edsticas las m\u00e1s vinculadas a los contextos socioculturales. Esta mutua dependencia reclama instrumentos rigurosos para tratar de conocer las caracter\u00edsticas cambiantes de cada momento y lugar. Los tiempos de la despreocupada improvisaci\u00f3n, s\u00f3lo pendientes del n\u00famero de espectadores considerados como algo pasivo, han dejado paso a una mayor demanda de metodolog\u00edas fiables con las que conocer m\u00e1s aspectos de los procesos de recpci\u00f3n teatral.\n\n\n\n&nbsp;\n\n\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>La recepcion primaria de signos teatrales. estudio longitudinal de dos casos grupales<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 La recepcion primaria de signos teatrales. estudio longitudinal de dos casos grupales <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Francisco Gonzalez De Tena <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Alcal\u00e1<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 06\/06\/2005<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Angel Berenguer Castellary<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: manuel Fernandez nieto <\/li>\n<li>Francisco Gutierrez carbajo (vocal)<\/li>\n<li>hector Brioso santos (vocal)<\/li>\n<li>fidel Lopez criado (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Francisco Gonzalez De Tena Esta tesis doctoral trata sobre las estrategias cognitivas que os ni\u00f1os utilizan al [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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